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100 Greatest Men: #95. David Allan Coe

January 18, 2011 Kevin John Coyne 6

He wasn’t part of the landmark Outlaws album, but David Allan Coe has been more the living embodiment of that label than any other artist in the history of country music.

Coe was born in Akron, Ohio in 1939. He spent his youth in and out of reformatory schools, the beginning of a long history of run-ins with the law. After spending most of his twenties in prison, he moved to Nashville in the late sixties. His style was jarring, with tattoos, long hair, and piercings, and for a stretch, he lived in a hearse parked right outside the Ryman Auditorium.

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Carrie Underwood and Female Country Artists: A Historical Perspective

July 28, 2010 Kevin John Coyne 147

I’ve always been something of a chart junkie. While I don’t pay as close attention as I used to, I still have a pretty good handle on historical trends. One artist I’ve been keeping an eye on is Carrie Underwood. When each official country single from her first two albums peaked at #1 or #2, it caught my attention.

But I never expected the trend to continue, with three more #1 hits from the new album. The source of that belief was the history of women on country radio, especially in the twenty most recent years that were based on actual monitored airplay instead of radio playlists. Since that change, far less records have gone #1 or #2.

400 Greatest Singles of the Nineties: #225-#201

July 28, 2010 Kevin John Coyne 17

As we reach the halfway point of the countdown, seventies stars like Tanya Tucker and Don Williams prove just as relevant to the decade as newbies like Terri Clark and and Clay Walker. But it’s eighties original George Strait that dominates this section with three additional entries.

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How Very Nineties: George Jones & Friends, and other All Star Jams

June 13, 2010 Kevin John Coyne 11

New fans of country music in the nineties were hit over the head with the assertion that country music was one big family. Nothing demonstrated this mythos better than the all star jams that cropped up during the boom years.

There were some variants of this approach. A popular one found a veteran star teaming up with one or more of the boom artists to increase their chances of radio airplay. George Jones was big on this approach, with the most high profile attempt being “I Don’t Need Your Rockin’ Chair.” Seventeen years later, it’s amazing to see how young everyone looks – even Jones himself!

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