Sturgill Simpson – Page 4 – Country Universe

Sunday Selections: April 3, 2016

April 3, 2016 Jonathan Keefe 3

Mr. Misunderstood has finally broken his silence.

Sunday Selections: March 27, 2016

March 27, 2016 Jonathan Keefe 1

A slightly abbreviated post for this Easter holiday weekend builds even more hype for the upcoming Sturgill Simpson album.

Sunday Selections: March 13, 2016

March 13, 2016 Jonathan Keefe 1

tl;dr: This week is heavy on new singles and music videos for those who, y’know, don’t like to read.

Sunday Selections: February 28, 2016

February 28, 2016 Jonathan Keefe 1

When it comes to this week’s Sunday Selections post, we’re just like Tracy Lawrence: Runnin’ behind.

Sunday Selections: January 10, 2016

January 10, 2016 Jonathan Keefe 3

… And we’re back!

Daily Top Five: Better With Time

June 9, 2015 Leeann Ward 9

As we grow older, our tastes change and some would even say that they mature. Such is the case with me, as you’ll see in the list below. There was a time when I did

Starter Kit: Jason Isbell

February 17, 2015 Jonathan Keefe 9

In early February, Zac Brown Band kicked off a brief cycle of Twitter Outrage when they performed a cover of Jason Isbell’s “Dress Blues,” which they are rumored to have cut for their upcoming album,

2015 Grammy Awards: Predictions & Personal Picks

February 6, 2015 Kevin John Coyne 16

This year’s Grammy Awards air on Sunday, February 8, and country music will be represented with performances Eric Church, Miranda Lambert, and the tantalizing pairing of Brandy Clark and Dwight Yoakam. Most of the awards

Miranda Lambert, Sturgill Simpson Dominate Nashville Scene Critics Poll

January 23, 2015 Kevin John Coyne 2

The results are in: Nashville Scene’s 15th Annual Country Music Critics Poll Miranda Lambert and Sturgill Simpson dominated this year’s results, with Maddie & Tae topping the Singles list for their progressive and timely hit,

The Best Albums of 2014

December 31, 2014 Kevin John Coyne 9

2014 was a banner year for country music albums. In addition to the predictably solid entries from the Americana, folk, and bluegrass scenes, some excellent albums also surfaced from the unlikeliest of sources: mainstream, radio-friendly