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ACM Flashback: Album of the Year

March 28, 2010 Kevin John Coyne 16

The ACM Awards has traditionally been overshadowed by the CMA Awards, despite its longer existence. This is for several reasons. First, the ACM originally existed to emphasize the West Coast country music scene, whereas the CMA Awards represented Nashville from the start. The ACM has also been more commercially-oriented from the beginning, as the history of this category proves. Eighteen of the last twenty winners in this ACM category are multi-platinum sellers, and the organization allowed greatest hits albums to compete for more than a decade.
Still, the ACM category has bragging rights of its own. Critically-acclaimed albums like Storms of Life, Trio, Killin’ Time and Crazy Ex-Girlfriend won at the ACMs but were overlooked by the CMAs. Additionally, women have also been far more successful at this ceremony. Only five women have ever won the CMA Album trophy, and one of them was Sissy Spacek! At the ACMs, women have dominated the category for the past three years, and the category has honored everyone from Loretta Lynn and Donna Fargo to K.T. Oslin and Shania Twain.

A special note about ACM flashbacks. Like the Grammys, the ACMs issue their award for a given year the following year, so the awards for 2009, for example, are given out in 2010. For the purposes of the flashbacks, Country Universe notes the year the award is presented. While the ACM first presented awards in 1966, the Album category wasn’t introduced until 1968.

As with other flashbacks, we begin with a look at this year’s nominees:

2010

  • Lady Antebellum, Lady Antebellum
  • Miranda Lambert, Revolution
  • Brad Paisley, American Saturday Night
  • Carrie Underwood, Play On
  • Zac Brown Band, The Foundation

Three previous winners – Miranda Lambert, Brad Paisley, and Carrie Underwood – compete against the debut albums of two hot bands. Lady Antebellum and Zac Brown Band each picked up a Grammy this year and are well represented on the rest of the ACM ballot. This is a very competitive race. Even the sales-friendly nature of the ACMs doesn’t help much here, as four of these albums are platinum and Lambert’s just went gold.

2009

  • Jamey Johnson, That Lonesome Song
  • Montgomery Gentry, Back When I Knew It All
  • George Strait, Troubadour
  • Taylor Swift, Fearless
  • Carrie Underwood, Carnival Ride

Taylor Swift became the third consecutive female artist to win in this category, a feat that would’ve seemed unthinkable earlier in the middle part of the decade, when country radio all but exiled women from radio.

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2010 ACM Nominations

March 2, 2010 Dan Milliken 38

You know the drill. For each of the categories, we’ll look at who’s broken in since last year, who’s been excused, and then make a totally judgy statement about what it all means.

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Crystal Gayle Starter Kit

February 26, 2010 Kevin John Coyne 24

Producing primarily pop-flavored country music has rarely been a ticket to immortality for even the biggest artists, particularly the female ones. Imports like Shania Twain and Olivia Newton-John are labeled impostors. Faith Hill’s canny song sense is overlooked while hubby Tim McGraw’s is widely praised. Brilliant Dolly Parton records like “Here You Come Again” and “9 to 5” are cited as being beneath her greatness, rather than prime examples of it. Only Patsy Cline has been given a free pass, and who wouldn’t want to claim those pipes?

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Grammy Pre-Telecast Winners

January 31, 2010 Kevin John Coyne 110

Here are the winners in the country and country-related categories from the pre-telecast:

Best Country Song: Liz Rose & Taylor Swift, “White Horse”

Best Country Instrumental Performance: Steve Wariner, “Producer’s Medley”

Best Country Collaboration with Vocals: Carrie Underwood & Randy Travis, “I Told You So”

Best Country Vocal Performance by a Duo or Group with Vocals: Lady Antebellum, “I Run to You”

Best Female Country Vocal Performance: Taylor Swift, “White Horse”

Best Male Country Vocal Performance: Keith Urban, “Sweet Thing”

Best Contemporary Folk Album: Steve Earle, Townes

Best Bluegrass Album: Steve Martin, The Crow/New Songs for the Five-String Banjo

Best Americana Album: Levon Helm, Electric Dirt

Best Southern/Country/Bluegrass Gospel Album: Jason Crabb, Jason Crabb

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Grammy 2010 Staff Picks & Predictions

January 31, 2010 Dan Milliken 7

Even in Grammy’s darkest hours, CU brings its picking powers!

– Superhero television show about our blog from the 50’s.

Share your own picks and predictions in the comments, and be sure to check back for our live blog! The awards telecast starts at 8 pm Eastern, and I imagine there will be some red carpet action in the hour prior.

Record of the Year

Picks

  • Beyonce, “Halo” – Kevin
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Tara
  • Lady GaGa, “Poker Face” – Dan
  • Taylor Swift, “You Belong with Me”

Predictions

  • Beyonce, “Halo”
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Kevin, Dan, Tara
  • Lady GaGa, “Poker Face”
  • Taylor Swift, “You Belong with Me”

Kevin: Am I wrong for preferring Eric Cartman’s rendition of “Poker Face” over the original? This is a pretty lightweight slate of contenders. I really like “Halo”, but I suspect Kings of Leon will win, simply because it’s the only rock song in a lineup of pop hits.

Dan: “Poker Face” just feels very representative of popular music in 2009. I wouldn’t whine if it got passed over so that “Bad Romance” could take this award next year, though.

Tara: I would’ve pulled for “Single Ladies” in a heartbeat had it been submitted, but “Use Somebody” is just as deserving of this award. It’s a fantastic song even outside the context of its moment in pop culture, and it’s the kind of larger-than-life song that the voters have picked to win in the past.

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My Grammy Wish List: 2010 Edition

January 28, 2010 Kevin John Coyne 24

Since this was a solo blog, doing a Grammy Wish List has been an annual tradition. I’m not too excited about this year’s Grammys, to be honest. 2009 was a weak year in my opinion, and the shortened 11-month eligibility period didn’t help matters. But a tradition is a tradition, so here are my picks in the eleven categories that I care about this year:

* denotes my personal wish:

Record of the Year

  • Beyoncé, “Halo” *
  • The Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody”
  • Lady Gaga, “Poker Face”
  • Taylor Swift, “You Belong With Me”

It’s always nice to see a country radio hit in there, but I honestly can’t stand “You Belong With Me.” I dig the Kings of Leon song, but the record that I enjoy the most here is “Halo.” Some pundits have suggested that Beyoncé threw her chances at this trophy by submitting “Halo” instead of “Single Ladies”, but I like that song even less than “You Belong With Me.” Love “Halo”, though.

Song of the Year

  • Lady Gaga & RedOne, “Poker Face”
  • Hod David & Musze, “Pretty Wings”
  • Thaddis Harrell, Beyoncé Knowles, Terius Nash & Christopher Stewart, “Single Ladies (Put a Ring On It)”
  • Caleb Followill, Jared Followill, Matthew Followill & Nathan Followill, “Use Somebody” *
  • Liz Rose & Taylor Swift, “You Belong With Me”

Great to see Liz Rose in there, too, but I still can’t stand the song. I think “Use Somebody” is a great composition that could easily be a hit in other formats if the right artist covered it. Are you listening, Sugarland?

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Best Country Singles of 2009, Part 2: #20-#1

January 6, 2010 Dan Milliken 41

We proceed.

#20

Taylor Swift, “You Belong with Me”

Teen-pop perfection, bursting with personality and unshakable hooks. – Dan Milliken

#19

Keith Urban, “‘Til Summer Comes Around”

There’s nothing quite as lonely as a carnival that has shut down, except for being alone at a carnival, surrounded by everyone but the love who has left you behind. – Kevin Coyne

#18

Lady Antebellum, “I Run to You”

Sheer passion and pulsing energy from start to finish. – Tara Seetharam

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The 201 Greatest Singles of the Decade, Conclusion: #20-#1

December 24, 2009 Dan Milliken 61

#20
“Not Ready to Make Nice”
Dixie Chicks
2006
Peak: #36

It’s easy to label this as a transitory response of a song, whose quality is stamped by context and time, but to do so is to undermine its carefully crafted layers of universal emotion. Anger is only the outer coating of the song – beneath it lies a tender-to-the-touch complex of feelings: pain and disgust, confusion and resolve, stubbornness and defeat. “Not Ready to Make Nice” may always recall a certain unfortunate episode in country music history, but its theme – that there’s a price to pay for standing up for what you believe – is timeless. – Tara Seetharam

#19
“Probably Wouldn’t Be this Way”
LeAnn Rimes
2005
Peak: #3

A striking portrait of grief that alternates between phases of desolation, disillusionment and gratitude. Rimes’ interpretation of the lyrics is chillingly precise. – TS

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The 201 Greatest Singles of the Decade, Part 7: #80-#61

December 21, 2009 Dan Milliken 17

The 201 Greatest Singles of the Decade, Part 7: #80-#61


#80

“When Somebody Loves You”
Alan Jackson
2001
Peak: #5

A treasure of a love song. Contrasted stunningly with modest accompaniment and vocals, the song’s message is that of love’s sublime ability to transform one’s life and bring light to dark. – Tara Seetharam


#79
“Separate Ways”
Rick Trevino
2007
Peak: #59

“Separate Ways” is an instructive narrative of a couple who did everything together, but “the last thing they did together was go their separate ways.” Fortunately, the song’s narrator learns from his parents’ divorce and wisely applies its valuable lesson to his own relationship. – Leeann Ward

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The 100 Greatest Albums of the Decade, Part 8: #30-#21

December 8, 2009 Kevin John Coyne 22

The 100 Greatest Albums of the Decade, Part 8

30 Trisha

#30
Trisha Yearwood, Heaven, Heartache, and the Power of Love

The latest album from Trisha Yearwood was one of her best yet, with a surprisingly loose sound and quite a few more uptempo tracks than is the norm for this queen of the ballads. The best moments came from the pens of female songwriters, most notably the poignant “Dreaming Fields” penned by Matraca Berg. – Kevin Coyne

Recommended Tracks: “This Is Me You’re Talking To”, “Dreaming Fields”, “Sing You Back to Me”

29 Pam

#29
Pam Tillis, Rhinestoned

On Rhinestoned, Pam Tillis demonstrates that she need not limit herself to covering her father’s songs in order to make a stellar traditional leaning album in her own right. The album, co-produced by Tillis, is consistent with accessible melodies, gentle, classic arrangements and impressively nuanced performances. While this is Tillis’ best album of the decade, it’s also possibly the best of her substantive career.

Recommended Tracks: “Something Burning Out”, Band in the Window”, “Life Has Sure Changed Us Around” (with John Anderson)

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