All of This Love November 7, 1995 You can learn much about an artist’s commitment to their craft by how they capitalize on their success. Pam Tillis had credibility and commercial clout to burn after
Sweetheart’s Dance April 26, 1994 After two successful albums with producers Paul Worley & Ed Seay, Pam Tillis needed a change. She approached her label with a request to co-produce her third country album, and
Pam Tillis Rhinestoned Rhinestoned, the first album of new material from Pam Tillis in nearly six years, once carried the subtitle High on Country Music. The title may have been shortened, but its spirit remains.
Collection February 1, 1994 It has to be frustrating for a label to see an artist that they never had success with go on to another label in town and become a big star right
Homeward Looking Angel September 29, 1992 Pam Tillis followed up her gold-selling Arista debut Put Yourself In My Place with an album that was better by just about any standard. She co-wrote five of the
Put Yourself in My Place January 22, 1991 When Pam Tillis signed with Arista records in 1990, she was already close to being damaged goods, an artist that had made several attempts at stardom in
Above and Beyond the Doll of Cutey 1983 True story. In the fall of 1996, my parents and I drove down to Nashville from Queens, NY to visit Belmont University. As a senior in high
When an artist is riding high, it only takes one bad move for it to all come crumbling down. Often, one album is blamed for slowing down a strong career, if not stopping it completely.