Pam Tillis was the artist that made me a fan of country music. There were songs and artists I had liked before, but hearing “Maybe it Was Memphis” was an epiphany, a sudden realization that
100 Greatest Women #35 Pam Tillis She grew up the daughter of a country music icon. As a baby, she’d nap in his guitar case. But Pam Tillis resisted her musical heritage for many years
100 Greatest Women #56 Matraca Berg When women became the dominant creative force in country music during the mid-nineties, it wasn’t just on the strength of their vocal talents, but also because of their excellent
#15 Let it Go Tim McGraw Tim McGraw’s previous album, Live Like You Were Dying, topped my first year-end album list back in 2004. Let it Go strays from the musical formula that Dying
CBS has a tendency to pull clips from this show down as soon as they’re up, so I highly recommend watching it now: the 1993 Women of Country documentary. It traces the history of women
This is Pam’s first single in eleven years that she’s had a hand in writing, and it’s easily the most personal song she’s ever released. She had referred on record before to the car crash
As regular readers know, Pam Tillis released the best album of her career earlier this year: Rhinestoned. I had the wonderful pleasure of talking to her about this project that is so close to her
Greatest Hits June 3, 1997 Ah, the nineties. What seemed so perfect back then, time has taken the shine away from. Now don’t get me wrong. I’m not talking about the quality of
All of This Love November 7, 1995 You can learn much about an artist’s commitment to their craft by how they capitalize on their success. Pam Tillis had credibility and commercial clout to burn after
Sweetheart’s Dance April 26, 1994 After two successful albums with producers Paul Worley & Ed Seay, Pam Tillis needed a change. She approached her label with a request to co-produce her third country album, and