Lee Greenwood
Sunday Selections: January 22, 2017
All things considered, it was a fairly light week.
CMA Awards: Entertainer of the Year (1967-2013)
Since its inception, the top honor an artist could be given at the Country Music Association awards is this one: Entertainer of the Year. Originally a revolving door of winners, the winner in early years was often not even nominated the following year. In 1981, Barbara Mandrell became the first artist to win the award twice. Alabama succeeded her with a three year run from 1982-1984. Fourteen years later, Garth Brooks became the first artist two win four times, a feat later matched by Kenny Chesney in 2008.
Here’s a look back at the award from the very beginning, along with some facts and feats about the category and its nominees.
1967
- Bill Anderson
- Eddy Arnold
- Merle Haggard
- Sonny James
- Buck Owens
One year after being inducted into the Country Music Hall of Fame, Eddy Arnold was named the very first Entertainer of the Year at the inaugural CMA awards in 1967. Don’t assume it was a sympathy vote. Arnold had three #1 hits in the twelve months leading up to the ceremony, as he was in the middle of his impressive mid-sixties comeback, a period best defined by the 1965 classic, “Make the World Go Away.” He remains the only member of the Hall of Fame to win this award after being inducted.
100 Greatest Men: #98. Lee Greenwood
He was the definitive male vocalist of post-Urban Cowboy country music. The new traditionalists soon wiped the radio dial of that sound, but thanks to one classic hit, Lee Greenwood will always be around.
He was born and raised in California, growing up with his grandparents on a poultry farm. As a child, he showed prodigious talent, learning the saxophone at age seven. By age fourteen, he could play all of the instruments in his school orchestra. As soon as he finished high school, he moved to Nevada, a place he would return to after an opportunity in Puerto Rico ended in disappointment. He passed on an opportunity to be in a band, which went on to great success as the Young Rascals, holding out hope for a solo career down the road.
He secured a record deal with Paramount, but when that didn’t produce a hit record, he moved on to Las Vegas, where he became a dominant force on the casino circuit. By 1979, he had been discovered by the bassist for Mel Tillis, who put him in touch with Tillis’ label, MCA. By 1981, Greenwood was a major label country music artist.
His career took off quickly. His first single, “It Turns Me Inside Out,” cracked the top twenty, but the breakthrough came with “Ring On Her Finger, Time On Her Hands.” It would be the first of a long run of top ten singles, including seven chart-toppers.
ACM Flashback: Single Record of the Year
As with the similar CMA category of Single of the Year, looking over the history of this category is the quickest way to get a snapshot of country music in a given year. There is a quite a bt of consensus among the two organizations here, and it is very rare for the winner at one show to not at least be nominated at the other. The winners list here would make a great 2-disc set of country classics, at least for those who don’t mind a little pop in their country. The ACM definitely has more of a taste for crossover than its CMA counterpart, and the organizations have only agreed on 17 singles in the past four decades and change.
As always, we start with a look at this year’s nominees and work our way back to 1968.
2010
- Zac Brown Band, “Toes”
- Billy Currington, “People Are Crazy”
- Lady Antebellum, “Need You Now”
- Miranda Lambert, “White Liar”
- David Nail, “Red Light”
There’s usually a “Huh?” nominee among the ACM list in recent years. This year, it’s David Nail. Good for him! Currington hasn’t won yet for this hit, even though he got himself a Grammy nomination for it. With Lady Antebellum reaching the upper ranks of the country and pop charts with “Need You Now”, my guess is that they’re the presumptive favorites. Then again, Miranda Lambert is a nominee for the third straight year, and she’s up for her biggest radio hit.
2009
- Trace Adkins, “You’re Gonna Miss This”
- Jamey Johnson, “In Color”
- Miranda Lambert, “Gunpowder & Lead”
- Heidi Newfield, “Johnny and June”
- Brad Paisley, “Waitin’ On a Woman”
Adkins has been a fairly regular fixture on country radio since 1996, but this was his first major industry award. He also won the ACM for Top New Male Vocalist in 1997.