Eric Church

Since making her debut with 1997’s Alabama Song, Allison Moorer has been one of country music’s most consistent albums artists. The singer-songwriter has three unqualified masterpieces to her credit— the flawless stone-country heartbreak cycle of The Hardest Part, the politically charged The Duel, and the somber, heady Southern Gothic of Crows. Despite having those triumphs— and other excellent albums like Alabama Song and Good Fortune— to her credit, Moorer’s latest effort, Down to Believing, is perhaps the finest album of her career because it finds Moorer challenging both her singing and her songwriting voices to plumb truly difficult emotional depths.