Dolly Parton
Retro Single Reviews: An Introduction
Despite some amazing album artists – a Willie Nelson here, an Emmylou Harris there – country music has always been a singles format. Over the past seven years, we’ve charted the development of some artists from the very beginning, like Lady Antebellum and Zac Brown Band, just by reviewing their singles.
With Retro Single Reviews, we’re going to go back in time to tell the story of the genre’s biggest artists from the very beginning, by reviewing all of their singles in chronological order.
Here’s how it works: At any given time, we’ll be working our way through the catalog of five artists. When we complete one of them, we’ll add a new one to the rotation.
The 30 Day Song Challenge: Day 28
Today’s category is…
A Song From Your Favorite Songwriter.
Here are the staff picks:
Leeann Ward: “You’ll Never Leave Harlan Alive” – Darrell Scott
Single Review: Dolly Parton, “Together You and I”
When Dolly Parton writes a song, chances are it’s going to be a great one. Only Merle Haggard and Willie Nelson rival her in that regard.
“Together You and I” is no exception to the rule. It’s a beautiful love song, with imagery that’s sweet without being sappy. She sings it wonderfully, with those little trills that have caused more goosebumps in the past forty years than a million cool breezes on warm summer nights.
Where’ve You Been? – 2011 Edition
It’s hard to believe that there once was a time that country artists put out two full-length albums a year. If they were part of a regular superstar duet team, like Conway Twitty & Loretta Lynn or Porter Wagoner & Dolly Parton, a fan might hear as many as four new studio albums from their favorite artist.
By the time that I got into country music – twenty years ago, natch – things had slowed down a bit. Artists usually released a new album every 12-18 months. Sometimes they’d push it to two years, but not often.
Those were the days. Waits between album releases have gotten crazy lately. I’m all for taking the time to get it right, but once we push past the half-decade mark, things have gone too far. Sure, we’re given side projects to carry us over, but there’s no substitute for a full-length studio album of all-new material.
Here are five artists who I’d really love to see make a long-awaited return with a new album in 2011, along with a brief rundown of the side projects that they’ve been busy with while we’ve waited for that new album:
Sincerity
Earlier this year, a discussion with a colleague of mine revealed a mutual affinity for country music. It was a typical conversation that I have with fans that are around my age. We fell in love with the music about twenty years ago, don’t think it’s quite as good as it once was, but can find a lot of things to like from just about any era, including the current one.
So in the 2010 version of making a mix tape, I offered to load up her iPod with a whole bunch of country music. A week later, she took me to dinner as a thank you. We started talking about the music that I’d passed on to her, and she told me that she was listening to the iPod while mowing the lawn. Suddenly, a song came on that made her cry. Full-out cry, mind you, not just a tear or two.
So I ask if it was “Love, Me”, or maybe “Where’ve You Been”, or something similarly tragic. She was almost embarrassed as she told me that it was the old Anne Murray hit, “You Needed Me.”
Starter Kit: Sara Evans
Sara Evans was one of the most successful female artists from the earlier part of the last decade, which was not a particularly good era for women as a whole. Her ease with both pop-flavored and purely traditional country allowed her to adapt to quickly changing trends in the genre.
This makes her catalog a fascinating one to sample. In compiling this Starter Kit, it would be easy to just list the hits. But I’ve left off some of her more overexposed tracks in favor of some gems that either didn’t quite dominate the charts or wasn’t sent to radio at all. I think her crossover numbers haven’t aged that well, anyway.
Be sure to let me know what I missed in the comment threads!
“Shame About That” from the 1997 album Three Chords and the Truth
The title track got all of the love, and the most airplay of the three low-charting singles from Evans’ debut album. But I think that this is the coolest little record, with Evans sounding like the female heir to Buck Owens as she can’t even feign sympathy for the ex who is now regretting his departure.