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Grammy 2010 Staff Picks & Predictions

January 31, 2010 Dan Milliken 7

Even in Grammy’s darkest hours, CU brings its picking powers!

– Superhero television show about our blog from the 50’s.

Share your own picks and predictions in the comments, and be sure to check back for our live blog! The awards telecast starts at 8 pm Eastern, and I imagine there will be some red carpet action in the hour prior.

Record of the Year

Picks

  • Beyonce, “Halo” – Kevin
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Tara
  • Lady GaGa, “Poker Face” – Dan
  • Taylor Swift, “You Belong with Me”

Predictions

  • Beyonce, “Halo”
  • Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody” – Kevin, Dan, Tara
  • Lady GaGa, “Poker Face”
  • Taylor Swift, “You Belong with Me”

Kevin: Am I wrong for preferring Eric Cartman’s rendition of “Poker Face” over the original? This is a pretty lightweight slate of contenders. I really like “Halo”, but I suspect Kings of Leon will win, simply because it’s the only rock song in a lineup of pop hits.

Dan: “Poker Face” just feels very representative of popular music in 2009. I wouldn’t whine if it got passed over so that “Bad Romance” could take this award next year, though.

Tara: I would’ve pulled for “Single Ladies” in a heartbeat had it been submitted, but “Use Somebody” is just as deserving of this award. It’s a fantastic song even outside the context of its moment in pop culture, and it’s the kind of larger-than-life song that the voters have picked to win in the past.

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My Grammy Wish List: 2010 Edition

January 28, 2010 Kevin John Coyne 24

Since this was a solo blog, doing a Grammy Wish List has been an annual tradition. I’m not too excited about this year’s Grammys, to be honest. 2009 was a weak year in my opinion, and the shortened 11-month eligibility period didn’t help matters. But a tradition is a tradition, so here are my picks in the eleven categories that I care about this year:

* denotes my personal wish:

Record of the Year

  • Beyoncé, “Halo” *
  • The Black Eyed Peas, “I Gotta Feeling”
  • Kings of Leon, “Use Somebody”
  • Lady Gaga, “Poker Face”
  • Taylor Swift, “You Belong With Me”

It’s always nice to see a country radio hit in there, but I honestly can’t stand “You Belong With Me.” I dig the Kings of Leon song, but the record that I enjoy the most here is “Halo.” Some pundits have suggested that Beyoncé threw her chances at this trophy by submitting “Halo” instead of “Single Ladies”, but I like that song even less than “You Belong With Me.” Love “Halo”, though.

Song of the Year

  • Lady Gaga & RedOne, “Poker Face”
  • Hod David & Musze, “Pretty Wings”
  • Thaddis Harrell, Beyoncé Knowles, Terius Nash & Christopher Stewart, “Single Ladies (Put a Ring On It)”
  • Caleb Followill, Jared Followill, Matthew Followill & Nathan Followill, “Use Somebody” *
  • Liz Rose & Taylor Swift, “You Belong With Me”

Great to see Liz Rose in there, too, but I still can’t stand the song. I think “Use Somebody” is a great composition that could easily be a hit in other formats if the right artist covered it. Are you listening, Sugarland?

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Top-Selling Country Albums of 2009

January 4, 2010 Kevin John Coyne 16

Here are the top selling country albums of the calendar year 2009. The number in parentheses is the album’s rank on the overall list encompassing all genres. The totals are rounded to the nearest thousand:

  1. Taylor Swift, Fearless (1) – 3,157,000
  2. Zac Brown Band, Foundation (15) – 1,243,000
  3. Carrie Underwood, Play On (19) – 1,150,000
  4. Rascal Flatts, Unstoppable (21) – 1,123,000
  5. Lady Antebellum, Lady Antebellum (24) – 948,000
  6. Jason Aldean, Wide Open (27) – 940,000
  7. Darius Rucker, Learn to Live (31) – 849,000
  8. Taylor Swift, Taylor Swift (36) – 766,000
  9. Keith Urban, Defying Gravity (38) – 715,000
  10. Sugarland, Love On the Inside (41) – 678,000
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The 201 Greatest Singles of the Decade, Part 8: #60-#41

December 22, 2009 Dan Milliken 21

The 201 Greatest Singles of the Decade, Part 8: #60-#41

#60
“Long Trip Alone”
Dierks Bentley
2006
Peak: #10

In a perfect world, this would be this decade’s wedding standard. – Kevin Coyne

#59
“Your Man”
Josh Turner
2005
Peak: #1

Lush baritone against an effortlessly charismatic, enticing invitation to let Turner be “your man.” How can you resist? – Tara Seetharam

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The 201 Greatest Singles of the Decade, Part 6: #100-81

December 19, 2009 Dan Milliken 18

The 201 Greatest Singles of the Decade, Part 6: #100-81

100 Alison Krauss Lonely
#100

“Restless”
Alison Krauss & Union Station
2004
Peak: #36

A shimmering moment of infatuation. Krauss is entangled in thoughts of her beloved, torn between the exhilaration of liking someone so intensely and the ache of not actually having the person. – Dan Milliken

99 Shania Come On Over

#99
I’m Holdin’ On to Love (To Save My Life)
Shania Twain
2000
Peak: #4

A terribly catchy slice of country-pop that, true to Twain, doesn’t sacrifice authenticity for appeal – Twain simply embodies the snappy energy that pulses through the song. – Tara Seetharam

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The 201 Greatest Singles of the Decade, Part 3: #160-#141

December 16, 2009 Dan Milliken 17

The 201 Greatest Singles of the Decade, Part 3: #160-#141

lee-ann-womack-call-me-crazy

#160
“Last Call”
Lee Ann Womack
2008
Peak: #14

Womack’s second-best Aughts song about late-night temptations is still better than a lot of people’s first-best songs about anything. Even in avoiding her drunken ex’s advances, she sounds positively heartbroken, suggesting she’d gladly make the other decision if she didn’t know better. – Dan Milliken

159 Shania Up

#159
“She’s Not Just a Pretty Face”
Shania Twain
2003
Peak: #9

Her motivation for her music has always been escapism, but I love the personal touch she slips into this one. Her late mother is the one who she’s referring to when she sings “at night, she pumps gasoline.” – Kevin Coyne

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The 100 Greatest Albums of the Decade, Part 4: #70-#61

December 3, 2009 Kevin John Coyne 16

The 100 Greatest Albums of the Decade, Part 4

70 Tillis

#70
Pam Tillis, It’s All Relative: Tillis Sings Tillis

By the time she released a tribute to her father Mel, she’d become something of a legend in her own right. So it’s no surprise that she approached Mel’s stellar songwriting catalog as if she was recording any other studio album, taking the best of the bunch and making them her own. Bonus points for preserving the original fiddle breakdown from “Heart Over Mind” while making that classic shuffle a forlorn ballad, and a few more for hitting the archives of the Country Music Hall of Fame until she found a forgotten gem that should’ve been a hit back in the day (“Not Like it Was With You.”) – Kevin Coyne

Recommended Tracks: “Mental Revenge”, “Detroit City”

69 Dwight

#69
Dwight Yoakam, dwightyoakamacoustic.net

Yoakam takes a new, inspired spin on the greatest hits album concept, presenting us with a hearty sampling (over 20 songs) of his catalog served acoustic style. It simply works for the country legend. He introduces some delightful new twists and turns to his old classics, and as it should go with acoustic music, the album is driven by unadulterated, raw vocals, coupled with honest storytelling – the purest form of country music. – Tara Seetharam

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100 Greatest Albums of the Decade, Part 3: #80-#71

December 1, 2009 Kevin John Coyne 10

The 100 Greatest Albums of the Decade, Part 3

80 Martina

#80
Martina McBride, Timeless

McBride has a voice that would have been as relevant in country music fifty years ago as it is today, and her album of cover songs exemplifies this. She doesn’t attempt to move any of the songs to a different level, but instead inhabits the artists’ original style with precision and spirit. The result is a pure, respectful homage to the country greats. – Tara Seetharam

Recommended Tracks: “Make The World Go Away”, “Pick Me Up On Your Way Down”

79 Felice

#79
Felice Brothers, Yonder is the Clock

The Felice Brothers are the least-known among the members of ‘The Big Surprise Tour’ headlined by Old Crow Medicine Show and featuring Dave Rawlings Machine with Gillian Welch, and Justin Townes Earle. Melding country-rock and folk-rock, they are roots-influenced and made their start playing in the subway. While it may take an extremely big tent to call them “country,” consistent Dylan comparisons make Yonder is the Clock hard to ignore. – William Ward

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Discussion: Please, Tell Me How the Story Ends

November 19, 2009 Leeann Ward 10

It’s pretty much an old cliché that country music artists tend to be the most personable and accessible to their fans. I don’t know if it’s technically true, but I tend to believe it myself. Over the years, I’ve heard some stories that have blown me away regarding the generosity of country music artists and I’m not talking about the highly publicized fundraisers or official charitable events. I think those are certainly worthwhile, but it’s the intimate stories that truly tug at my stiff heartstrings.

One of my favorite stories is about Johnny Cash. His brother, Tommy, tells of a time that they were in a locker room together and he caught Johnny inconspicuously looking for the most worn out pair of sneakers that he could find so that he could slip a $100 bill in them.

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Wade Hayes Six Pack

August 18, 2009 Kevin John Coyne 27

Wade HayesHe could’ve been – heck, still could be – one of the genre’s great traditional vocalists. The depth of his baritone was matched by its nuance, making Josh Turner sound like an amateur in comparison. Here’s hoping he’ll resurface sometime soon, since he could blow most of today’s young guys out of the water.

“Old Enough to Know Better”
from the 1995 album Old Enough to Know Better

A twenty-something anthem that exudes youthful energy.

“I’m Still Dancin’ With You”
from the 1995 album Old Enough to Know Better

It doesn’t have quite the elegance of “In Between Dances”, but his spin on dance floor loneliness is still effective.

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