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Single Review: Chris Young, “Tomorrow”

March 30, 2011 Dan Milliken 18

How to put it? I would listen to this man sing about IBS. I would listen to him sing a long-form denunciation of my inherent value as a human being – possibly my mother’s and little sister’s, too. Chris Young’s baritone is like the aural incarnation of warm fuzzies, and most everything it touches/fuzzes goes down easy – even those lame, creaky-hinged Music Row assembly songs scattered across Young’s first two albums.

So, granted: This single was probably going to sound all sexy-cool no matter what. Happily, though, we can all enjoy with a little less cognitive dissonance this time, because “Tomorrow” makes a serious play at substance. Young is finally a radio star now, and he’s using his powers to inject some actual psychological complication back into the format.

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Nashville Scene: 11th Annual Country Music Critics’ Poll

January 27, 2011 Leeann Ward 14

The 11th Annual Country Music Critics’ Poll has just been published by Nashville Scene. It covers the 2010 year of country music. The participants of the poll consists of country music critics who spend their time listening to and analyzing stacks of music throughout the year in order to knowledgeably write about it for the purpose of either promoting excellent music or warning against the not so good stuff. Kevin, Dan and Tara are among these prestigious critics.

Each year, invited critics submit their ballots with their favorite music and artists in the appropriate categories. The poll includes the best albums, singles, male and female artists, reissues, live acts, duos and groups, songwriters, new acts, and the over all artists of the year. While the results include the usual suspects, they are mixed with some surprises or names that aren’t commonly associated with mainstream country.

Some of my favorite results include Raul Malo tied at #8 with Gary Allan for top males and Elizabeth Cook at #2 for top females, not to mention Sunny Sweeney’s “From A Table Away” landing at the #3 spot for singles. The most amusing result, however, is Jamey Johnson and Taylor Swift in the top two spots for songwriters.

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The 201 Greatest Singles of the Decade, Part 5: #120-#101

December 18, 2009 Dan Milliken 44

The 201 Greatest Singles of the Decade, Part 5: #120-#101

120 Keith Urban Be Here

#120
“Tonight I Wanna Cry”
Keith Urban
2005
Peak: #2

A chillingly frank portrait of loneliness, awkward reference to “All By Myself” notwithstanding. Few mainstream vocalists today could pull off something this intense. – Dan Milliken

119 Loretta Van Lear Rose

#119
“Portland, Oregon”
Loretta Lynn with Jack White
2004
Peak: Did not chart

If you can take a healthy dose of dirty rock ‘n’ roll in your country, this is one of the coolest-sounding records of the decade, a classic one-night-stand duet. That it’s a very cross-generational pairing singing it would be creepy if not for the goofy smiles shining through Lynn’s and White’s performances. – DM

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The 201 Greatest Singles of the Decade, Part 4: #140-#121

December 16, 2009 Dan Milliken 27

The 201 Greatest Singles of the Decade, Part 4: #140-#121

140 Bon Jovi Nice Day

#140
“Who Says You Can’t Go Home”
Bon Jovi featuring Jennifer Nettles
2005
Peak: #1

Packed as country music has been lately with rocked-up little singalongs, perhaps it was only natural that one of the leading bands in rocked-up little singalongs should cross over for a bit to show everybody how it’s done. It was newcomer Nettles, though, who stole this show, driving Bon Jovi’s ditty home with an infectiously joyful performance. – Dan Milliken

139 Johnny Cash V

#139
“God’s Gonna Cut You Down”
Johnny Cash
2006
Peak: Did not chart

The arrangement is cool enough, but it’s Cash’s stoic, slicing vocal performance that makes his version of this song so memorable. – Tara Seetharam

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Craig Morgan, “Bonfire”

September 6, 2009 Kevin John Coyne 3

Craig MorganIt’s hard to fault Craig Morgan for recording yet another “we’re a bunch of rednecks having a good time” anthem. Such songs have been his bread and butter.

But it’s quite easy to fault him for taking a page from the Jason Aldean playbook and screaming the whole song. Morgan is not a country-rocker, and can’t even pull of being a wannabe country-rocker. His charm has always been his too country twang, a vocal style that you can usually only hear on the bluegrassiest of bluegrass records. When he sings a song like “A Little Bit of Life” or “Redneck Yacht Club”, you can actually hear his big goofy grin.

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Album Sales Update

May 23, 2009 Kevin John Coyne 20

2009

* Rascal Flatts, Unstoppable – 669,000
* Keith Urban, Defying Gravity – 349,000
* Jason Aldean, Wide Open – 241,000
* Dierks Bentley, Feel That Fire – 189,000
* Martina McBride, Shine – 89,000
* John Rich, Son of a Preacher Man – 89,000
* Rodney Atkins, It’s America – 72,000
* Jake Owen, Easy Does It – 70,000
* Eric Church, Carolina – 66,000
* Randy Travis, I Told You So: Ultimate Hits – 59,000
* Randy Rogers Band, Randy Rogers Band – 57,000
* Pat Green, What I’m For – 54,000
* Willie Nelson & Asleep at the Wheel, Willie & The Wheel – 50,000
* Billy Ray Cyrus, Back to Tennessee – 29,000
* Jason Michael Carroll, Growing Up is Getting Old – 26,000
* Dean Brody, Dean Brody – 5,000

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Discussion: SoundScan Sound Off

December 17, 2008 Kevin John Coyne 30

In this era of rampant piracy and economic recession, things aren’t looking good for the music industry.   We don’t post too often about the business side of the music business here, as we tend to

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