Being a guy who writes for a music blog, I don’t get to vote for the Grammys. Even if I did, the rules would limit me to voting in only 8 categories, so the list
Toby Keith, “High Maintenance Woman” Sure, the plotline is ripped off from the cheesy Aaron Tippin video “That’s as Close as I’ll Get to Loving You”, and it features a jaw-droppingly tacky double entendre about
Mary Chapin Carpenter, “It Must Have Happened” What the hell? Chapin signs with a folk-oriented indie label and puts out her most aggressive single in years? I’m shocked. I was ready to be put to
Taylor Swift, “Teardrops On My Guitar” Not a bad song, but the vocal lays flat during the verses. She sounds like an amateur until the chorus, where the production and a stronger melody carry her
Flynnville Train, “Last Good Time” This is country music in a post-Big & Rich world, I suppose. But, much like the Shania wannabes faltered without her trademark wit and production magic, this record just lays
Ty Herndon, “Right About Now” This works as a thematic successor to his debut hit, “What Mattered Most.” Not quite sure why he felt the need to go so high at parts, but it’s a
Sarah Buxton, “That Kind of Day” Great song, wrong delivery. levitra online us pharmacy There’s way too much going on and Buxton sounds winded trying to keep up. It doesn’t help that she’s trying to
Kellie Pickler, “I Wonder” This is very heartfelt and sincere. Pickler speaks rhetorically to the mother who didn’t stick around to raise her. Her performance is perfectly delivered, with subtlety and understatement. The production overwhelms
Jason Aldean, “Johnny Cash” You’re setting yourself up for criticism when you name drop one of music’s biggest historical icons in a song title, and it’s gratuitious to boot. The line in the chorus is
At the Grammys, there are four big categories, where recordings, songs and artists from all musical genres compete against one another: Record of the Year, Song of the Year, Album of the Year and Best