Crossin Dixon, “Guitar Slinger” Is it just me, or has there been a lot of this lately? Flynnville Train, Halfway to Hazard, Cole Deggs & The Lonesome, Whiskey Falls, and now, Crossin Dixon. Young
Brad Cotter, “God’s Fingerprints” This is exactly what I was expecting it to be: a song about how God plays a role in everything we see and everything we do. The arrangement leaves quite
Chris Cagle, “What Kinda Gone” I was smiling from the very first verse. Packed with personality and more spins on the word “gone” than you’d think you could fit in one song. Touching on my
Flynnville Train, “Nowhere Than Somewhere” A decent idea that doesn’t get fully fleshed out. They rely too much on the concept to sell the song. It’s a cute play on words – “she’d rather be
Hal Ketchum, “In Front of the Alamo” He was one of the oldest of the new country stars, and there was always an aura of wisdom about him from the start. Here, he writes
Doug Stone, “Nice Problem” It’s hard to believe that this the guy that turned in the stone-cold country vocal performance “I’d Be Better Off (In a Pine Box)”. Soon after, he switched to a
Four years after the first list, some of the names have changed and so have the sounds. Notice the crossover flavor of this list? We’ve still got one foot in country music but it’s standing
Pop culture oasis RetroCrush has compiled its list of The 100 Worst Cover Songs ever, and quite a few of them are the result of cross-contamination between country music and other genres. I actually like
Rascal Flatts, “Take Me There” Writing a review of this just seems like an exercise in futility. No fans will be won or lost by this performance. If you enjoy listening to “I Melt” and