#8: Faith Hill & Carrie Underwood Female Vocalist of the Year 2006 The CMAs experienced an unwanted (and many would argue, unwarranted) amount of attention in 2006, when an intended joke by Faith Hill cast
There’s a big article in Billboard this week about how Rascal Flatts are hoping to dodge the downward trend that recent hits collections have been experiencing. Their attempt to do so was to add a
Martina McBride previews her forthcoming album with “Ride”, a high-energy single that surrounds one of her typical positive messages with atypically aggressive production. This is worth hearing for the guitar work alone, but stick around
Although he started his career in front of a microphone, Dean Dillon soon transitioned into one of the finest songwriters in Nashville, notably enhancing the careers of one of its legends and illustrating an uncommon
Earlier this week, I’d planned on talking about an Iris Dement track for this weekly discussion thread. Then some poking around on iTunes led me to discover something else entirely. I love iTunes because it
At just twenty-three years old, Adam Gregory has built a following in Nashville based on a soulful vocal style and a strong dose of melody. His first single, “Crazy Days,” dinted the charts, and now he’s
A breakneck, banjo-riffic hoedown with a commanding vocal, seamless chorus, brilliantly minimalistic lyric, and friggin’ sweet instrumental break. That’s the closest I can come to explaining this wonder of a record, which marries the art
Meh. Old Crow have become a cult favorites by way of raucous roots revivals that often bulldoze the boundaries of proper content and delivery, but you probably wouldn’t get that just from this record. Sure,
Ah, developing niches. Newbie McComb had an solid debut playing the passively frustrated lonely guy in “This Town Needs a Bar,” and now he reprises the role in this buzzed-about follow-up. Fair enough. The song