The Worst Singles of the Decade, Part 5: #10-#1
The Worst Singles of the Decade, Part 5: #10-#1
#10
Alan Jackson, “www.memory”
Wasn’t there anyone who could tell him that this wasn’t going to work? It’s a terribly awkward effort to force a classic concept into a current framework. (See also: Lorrie Morgan, “1-800-Used-To-Be”)
#9
Reba McEntire & Kelly Clarkson, “Because of You”
This could’ve been great. Two great singers, one great song. The fatal flaw is that it just doesn’t work as a duet. The lyrics don’t make sense when it’s two people singing to each other.
#8
Lonestar, “Mr. Mom”
Mr.Mom was the first movie that I saw in theaters. Back then, the concept of a stay-at-home Dad was novel. By the time this song rolled around, it was hard to even take the conceit of the song seriously. This guy’s not struggling because he’s a guy. He’s struggling because he’s a bumbling fool.

Time’s running short. If your personal least favorite wasn’t in
After
Evidently, country artists in Nashville are damn proud to be from the country – so proud that they each feel the need to record a song proclaiming just this and, no less, release it to country radio. I’ve lost track of the number of these singles put out in the past year, a handful of which I’ve found to be borderline offensive. As a city girl with a heck of a lot of love for the spirit of country music, I’d rather not be made to feel like I’m being excluded from a members-only club.
There is a God” is a thought that often crosses my mind when Lee Ann Womack is singing, so it’s somewhat appropriate that she’s released a song with that title. Of course, Womack’s more effective when she’s singing about Saturday night than she is about Sunday morning, unless she’s hating herself in the morning after that Saturday night.
At this point in Toby Keith’s career, he is most associated with a tough guy, ultra-masculine persona that he is usually all too happy to perpetuate. So, it is always a pleasant treat when he slows things down and reminds us that he actually has one of the better voices in contemporary country music. Furthermore, his strong vocals naturally wrap around a ballad better than many of his more ballad heavy peers, which is well demonstrated in his latest single, the jazz style “Cryin’ for Me (Wayman’s Song)”.
As we begin our look back on the last ten years in country music, we’re starting with the bottom. Over the next few days, you’ll be reading about the worst that country music sent to radio in the 2000s, much of which they actually played.