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Gary Allan, “Today”

July 2, 2009 Leeann Ward 12

I’ll say it again. Gary Allan has one of the most interesting and compelling voices in country music right now. Furthermore, he is able to convey emotion with an ease that should be the envy of his peers. Thankfully, he has also been particularly good at selecting equally engaging songs that have been worthy of his gifted talent. Unfortunately, “Today happens to rank among the few songs that do not rise to the challenge.

With a moody piano to serve as the foundation for the swelling strings and over all dramatic angst, Allan sings of the pain of loosing his former lover to another man. He knows that his chance has officially passed as he laments her wedding day: “Today is the happiest day of her life./I should be happy for her today./So, tell me, why are these tears in my eyes?/I know I should be happy for her./But I lost everything/I lost everything I ever wanted today.”

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Sara Evans, “Feels Just Like a Love Song”

July 1, 2009 Kevin John Coyne 38

Sara Evans is an excellent singer in desperate need of a better production team. She sings the fire out of a fairly decent pop-country song here, but the arrangement is an overwhelming distraction, with far too much clutter in the mix.

It’s to her credit as a vocalist that she’s not drowned out completely, but she’s ill-served by the production philosophy that bigger is better. The opposite is true with both pop and country music, so it never ceases to amaze me how difficult that concept is to grasp for too many of those who make pop-country records.

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Dolly Parton’s Video Diary on Michael Jackson

June 30, 2009 Kevin John Coyne 3

I certainly didn’t expect to create a third Country Universe post on Michael Jackson, but longtime readers know that this site would enter an extended period of mourning should anything ever happen to Dolly Parton.

She posted a video diary today about Jackson’s death. As usual, she radiates humanity and warmth. Those who are fortunate enough to have Parton as a character witness on judgment day should count their lucky stars!

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Traditional Country is a Link in a Long Chain

June 30, 2009 Guest Contributor 23

The following is a guest contribution from Scott O’Brien.

“But someone killed tradition. And for that someone should hang.” –Larry Cordle & Larry Shell, “Murder on Music Row”

Dan Milliken’s recent post got me thinking: The country music I grew up with is nothing like the music on country radio today. If I turned on today’s country radio in 1988, I might not realize it was a country station and keep right on flipping. Back then, Randy Travis and Keith Whitley’s traditional twang ruled the airwaves. Today, they are dominated by the giggly teeny-bopper ditties of Taylor Swift and the boy band sounds of Rascal Flatts. Did they get away with murder on music row? Well, let’s start by briefly uncovering country’s traditional roots.

What is traditional country music? Is it simply anything from the past? That seems too broad; Shania Twain wasn’t traditional. Anything before 1990? Maybe, but that is still a rather wide net. To me, traditional country music is honky-tonk music. It heavily employs steel guitars, fiddles, and forlorn vocals. It moves at a slow pace. There are no drums or electric guitars. The songs typically deal with heavy topics such as heartbreak, cheating, or drinking, with a ballad here and there. In most cases, the goal is to induce pain. Not bad pain, but the therapeutic empathy that tugs your heart and helps you through your personal struggles. The patron saint of traditional country is Hank Williams. Hank’s first disciple is George Jones. Jones’ first disciple is Alan Jackson. The traditional template is supposed to help us decipher what is country and what is not. After all, what makes country music country if not fiddles and cheatin’ songs?

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Tanya Tucker, My Turn

June 30, 2009 Leeann Ward 1

As a tribute of sorts to her father who loved traditional country music, Tanya Tucker has compiled a set of twelve songs that pays homage to country music’s past. While not an example of traditionalism herself as a recording artist, Tucker ably demonstrates that she is more than capable of stepping into the role on this project, but also shows that this is not her most comfortable position as an artist.

Produced by accomplished and respected producer, Pete Anderson (Dwight Yoakam), Tucker’s new covers album, My Turn, is full of both oft sung and lesser known gems. Tucker shines on up-tempo fare such as Buck Owens’ “Love’s gonna Live Here” with guest help from Jim Lauderdale, Don Gibson’s “Oh, Lonesome Me”, Charley Pride’s “Is Anybody Goin’ to San Antone” and the album’s best track, Merle Haggard’s “Ramblin’ Fever.” With the support of snappy productions to match Tucker’s assured vocals, these interpretations aptly showcase Tucker’s spunk and are where she seems to fully connect, both vocally and emotionally, to the songs and their lyrics, which is likely why the straightforward “Ramblin’ Fever works so well for her. “If someone said I ever gave a damn/Well, the damn sure told you wrong/’Cause I’ve had ramblin’ fever all along”, she growls with utmost believability.

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The Few Remaining Icons

June 29, 2009 Kevin John Coyne 27

I’ve heard it said so many times in the past week: the death of Michael Jackson is my generation’s equivalent of the Death of Elvis Presley. (I can only assume that makes Kurt Cobain our Janis Joplin?)

He was a controversial figure, to be sure, and much like Elvis, a tragic figure even before his tragic death. Being a music fan first, I lost interest in Jackson a long time ago, simply because he’s made so little music in the past two decades – a mere three studio albums in more than twenty years.

But there’s no doubt that he’s an icon, the embodiment of the MTV age and the breakdown of barriers between pop, R&B and dance music. Who does pop music have left that’s in the same league? Only Madonna, but since she’s still very much at the top of her game and is anything but a tragic figure, don’t expect the mourning for her to begin any time soon.

But pop music isn’t the only genre running low on icons. What country acts remain that could garner significant coverage upon their death? Johnny Cash’s death made the cover of Time magazine, an honor usually reserved for former Beatles members. CNN broadcast live from Tammy Wynette’s funeral back in 1998.

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Celebrating the King of Pop: 1958-2009

June 29, 2009 Tara Seetharam 30

No words, printed or spoken, seem to do justice to the life and career of the late Michael Jackson, the brilliantly talented, irreplaceable entertainer who united the world with his music and spirit. The only fitting way to pay tribute to this musical icon is to celebrate his music – because his is the rare, exquisite kind that transcends the boundaries of genre, color, gender and time, and will continue to impact lives for generations to come.

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Kevin Coyne Starter Kit

June 27, 2009 Leeann Ward 17

This is an exciting day for Country Universe. Our favorite blogger and Country Universe founder, Kevin Coyne, turns thirty today! We are thrilled to join Kevin’s best friend, Charlie Geier from The Widening Geier, in wishing Kevin a heartfelt happy birthday!

In celebration of Kevin’s big day, we have compiled a Starter Kit of some of our favorite articles that Kevin has written throughout the life of Country Universe, which is quickly approaching five years, by the way. Some of our readers may recall these posts and others will be reading them for the first time. This Starter Kit will not only give Kevin an opportunity to look back on his own writing, but allow the rest of us to either reminisce or explore some excellent writing as well. And as is the ultimate purpose of Starter Kits, it’s a starting place to encourage people to discover more of the subject’s body of work, who happens to be Kevin Coyne in this instance. By doing this, we hope to pay tribute to our friend by spotlighting his insightful writing. First and foremost, you will see Kevin’s easy and obvious writing prowess. Moreover, you will surely note his passion for country music and, most importantly, his sincere and deep compassion for people in general, not to mention his sense of humor and philosophical outlook.

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Whitney Duncan, “Skinny Dippin'”

June 24, 2009 Leeann Ward 18

As a former Nashville Star, Whitney Duncan has been seriously struggling to break through as a Warner Brothers recording artist for some time now. Out of the somewhat inferior material that she’s released so far, her third single, “Skinny Dippin’”, has the best shot of becoming a minor hit due to its sultry melodic structure and summertime timeliness. As an actual song, however, “Skinny Dippin’” suffers from some glaring flaws that could keep it from being the break through hit that Warner Brothers and Duncan are counting on.

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