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Alan Jackson, “I Still Like Bologna”

July 27, 2009 Dan Milliken 14

Jeez, talk about your “Good Artists Gone Bad.” Alan Jackson’s latest manages to take two things I really like – honky-tonk music and silly song titles – and make them seem duller than a bad Learn-To-Type program.

It’s almost the kind of song Tim McGraw’s “Back When” once poked fun at, actually, except the subject matter here is the progression of technology, and this doesn’t even feel like enough of an effort to warrant spoofing. I mean, there’s not much to say about a song whose first three minutes basically break down to, “I kind of like my plasma T.V….but also, I kind of like whippoorwills.”

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Picking the CMA Nominees: Male Vocalist of the Year

July 26, 2009 Kevin John Coyne 21

The past two decades have only brought eight winners in the CMA Male Vocalist race, with only two of them – Toby Keith and Clint Black – winning only once. Compare this to the Female Vocalist race, which has brought twelve winners during the same time frame, though even that race has become more streaky of late, with Martina McBride and Carrie Underwood combining for seven victories in the past eleven years.

Is it time for an overhaul in the Male Vocalist race? Yes and no. There’s no denying that some of the multiple nominees/winners over the past nineteen years remain the genre’s strongest male voices. Still, there’s room for some others at the table. The problem is that there are so very few of the genre’s male artists that are genuinely at the top of their game. Even most of the men listed below have had weak singles this year.

Still, if I picked the five nominees for the 2009 CMA Male Vocalist of the Year, they would be:

Jamey Johnson

If Johnson earns fewer less than five nominations at this year’s CMA Awards, I’ll be shocked. In fact, I think he’ll earn six, with the surprise nomination being in this category. These aren’t predictions, though, so I’ll state that while I’m not particularly a fan of Johnson, his success at retail with a traditional project that has only received airplay for one single is darn impressive. Along with Brad Paisley, he’s one of only two artists I’ve listed that were determined by genuine merit, not process of elimination.

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If I Were In New Hampshire, I’d Go To This

July 25, 2009 William Ward 0

With the gracious permission of Tom Spurgeon, the creator of this feature at The Comics Reporter, I would like to introduce the Country Universe version of “If I Were In _________, I’d Go To This.” With interesting events around the country it is hard to know about everything, so starting with “If I Were In New Hampshire, I’d Go To This” we will present you with our picks of unique or particularly interesting upcoming shows or events.

The Big Surprise Tour – featuring Old Crow Medicine Show, Dave Rawlings Machine (w/ Gillian Welch), The Felice Brothers and Justin Townes Earle – kicks off in Hampton, NH on Tuesday Aug. 4.

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Blaine Larsen, “It Did”

July 24, 2009 Leeann Ward 3

You may already recognize this song from Brad Paisley’s 5th Gear album. But then again, you may not, since it’s not especially memorable, anyway. Much like Paisley’s “Then”, “It Did” sentimentalizes that life just keeps getting better and better with each progressing milestone (courtship, wedding, baby).

Paisley’s version is superior in production quality while Larsen’s warm voice outshine’s Paisley’s vocals. However, in either case, the melody and lyrics are particularly bland with Larsen’s unimaginative pop infused production managing to turn an already unengaging song into something next to insufferable. Furthermore, this song just wasn’t worth recycling in the first place.

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Michelle Branch, “Sooner Or Later”

July 24, 2009 Dan Milliken 11

…Or as I’m going to call it, “Michelle Branch copying Taylor Swift copying Michelle Branch.”

For real, though. It’s like the thing has passed through so many levels of self-consciousness that most of the personality just got rubbed out of the mix at some point, leaving behind only a flimsy song and recycled production.

It’s not unpleasant listening, but it’s difficult to avoid comparing to Swift’s similar (and superior) “You Belong With Me,” and even harder to enjoy in the context of Branch’s own body of work, which has seen both pop and pop-country with much more passion, maturity and distinction.

Remind me why we can’t have The Wreckers again?

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Picking the CMA Nominees: Entertainer of the Year

July 23, 2009 Kevin John Coyne 80

Just last week, the second ballot for the 2009 CMA Awards was sent to voters. Now, they are charged with the task of picking five nominees for each category.

How about we help them out? I’ve listed the five artists that I believe are most deserving of an Entertainer of the Year nomination. Share your own top five and your reasoning in the comments.

Over the course of the next two weeks, we’ll do the same with all of the other major categories.

Entertainer of the Year:

The nominees should be:

Brad Paisley

Much like George Strait before him, Paisley has carved out a career that is defined by its consistent success. He’s an increasingly large draw on the road, and his latest album shows that his creative juices are flowing again.

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Jamey Johnson, “My Way To You”

July 23, 2009 Dan Milliken 10

Very interesting. It’s almost like Jamey Johnson decided to try his hand at a typical radio ballad – unspecific narrative about finding fulfillment in a significant other/God, rock bent, oversized electric guitar solo – just to show that he could make even that sound pretty cool.

Good thing the idea worked out. Expectations have become so bloated for Johnson that his career could suffer quite a dip if the follow-up to That Lonesome Song doesn’t manage to woo both critics and consumers again. This single’s savvy blend of commercial trimmings and un-commercial delivery suggests that won’t be a problem.

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Collin Raye, “She’s with Me”

July 23, 2009 Leeann Ward 0

Collin Raye has always had a voice best suited for ballads. However, at times, he has been known to stretch his vocal boundaries with unique results that have ended up feeling like a signature vocal trademark that, ultimately, works for him. Likewise, he is most associated with his glut of sensitive love songs or overwrought message ballads with strong melodies if not saccharine lyrics.

“She’s with Me” is yet another Ballad, but it deviates from Collin Raye’s typical penchant for overdoing it. Instead, it is a slow, vocally restrained song with a message, but one that is worth exploring.

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Rodney Atkins, “15 Minutes”

July 22, 2009 Tara Seetharam 3

Atkins’ latest single is pure, straight-up fun without being hokey or over-the-top – a tricky thing to do in country music. Against a pleasing, honky-tonk arrangement, Atkins delivers a clever hook about a misguided attempt at giving up smoking, women and drinking, resulting in the worst 15 minutes of his life. It’s simply a well-crafted bar sing-a-long that doesn’t take itself too seriously:

“Well you could get hit by a truck tomorrow
So you might as well raise a little hell tonight.”

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