Country Universe

Rick Trevino Six Pack

August 18, 2009 Kevin John Coyne 16

The nineties brought some artists who never became full-fledged stars, but were a heck of a lot more than one-hit wonders, either. One of those was Rick Trevino, who showed great promise with a solid gold-selling debut album. Though he strayed too far down the radio fodder road with his next two projects, that approach still produced a #1 hit in “Running Out of Reasons to Run.”

As is often the case with the young stars of the nineties, his more recent work has been strikingly compelling, even though radio hasn’t played it. Here’s a good sampling of underrated artist Rick Trevino.

“Just Enough Rope (Bilingual Version)”
from the 1994 album Rick Trevino

Trevino’s debut single is best heard in both of his native tongues.

“She Can’t Say I Didn’t Cry”
from the 1994 album Rick Trevino

Collin Raye Starter Kit

August 17, 2009 Kevin John Coyne 24

collin_raye When Collin Raye first surfaced, it seemed like he was a poor man’s Vince Gill. Nice, sweet vocals but not much depth. However, he’d reveal himself as having one of country music’s stronger song senses. At his peak, he enjoyed both commercial success and regular Male Vocalist nominations.

Most of this list comes from Raye’s first four albums, all of which were certified platinum. His music started to decline in quality toward the end of the decade, but he still put out some good radio singles. He’s been mostly quiet this decade, releasing albums on independent labels.

Ten Essential Tracks

“Love, Me”
from the 1991 album All I Can Be

One of country music’s finest tearjerkers. It put Raye on the map as a balladeer to be reckoned with.

Lady Antebellum, “Need You Now”

August 16, 2009 Leeann Ward 43

lady-antebellum-and-a-chair Sometimes, it’s tough to know exactly how to fairly evaluate a song, especially one that I like, but know full well is not rooted in country music in any way. Such is the case with Lady Antebellum’s new single that is set to appear on their second album yet to be released.

So, in this rare instance that I like a song that sounds like it would fit nicely on an easy listening station rather than a country station or even a rock station, I will simply extend just that caveat before proceeding any further. This is not a good country song, but it is a fairly decent song in general terms.

main Lady A singers, Hillary Scott and Charles Kelly, join together to offer up a sonically pleasing song with a solid vocal performance and pleasant melody. While “Need You Now” could still benefit from better development, it is lyrically superior to its predecessor, the clichéd “I Run to You.” Sung as a straight duet, Scott and Kelly sing of a codependent relationship that is propelled by loneliness and being “a little drunk.”. “Guess I’d rather hurt than feel nothing at all.” they admit.

Josh Turner, “Why Don’t We Just Dance”

August 15, 2009 Kevin John Coyne 10

Josh Turner Country music isn’t exactly known for its exultations to hit the dance floor, so it’s no surprise that this dance request is directed at his wife. Turner is charming as ever, even if he has a bit of trouble keeping up with the beat as he tosses off the lyrics.

It’s about as deep as Vegas rainfall, something that you could imagine Mel McDaniel singing back in his prime. Turner doesn’t sell this quite as well as McDaniel would, but he comes close enough. Regardless, it’s nice to hear his voice again.

Sawyer Brown Starter Kit

August 14, 2009 Kevin John Coyne 13

My favorite band of the early and mid-nineties was Sawyer Brown. Former Star Search winners, they had a decent run of hits in the eighties, though their early albums are legendarily awful. But they found their artistic voice when lead singer Mark Miller began writing with Mac McAnally. Many of their biggest and best hits were written by one or both of them.

The end result was that Sawyer Brown became one of the only country acts that broke out in the last few years of the eighties to actually become far more commercially successful in the nineties.

Ten Essential Tracks

“The Race is On”
from the 1989 album The Boys Are Back

So much of their eighties work was disposable, but there’s a surprising charm to this revved up take on the George Jones classic. Even the Possum himself was a vocal fan of it.

Diamond Rio Starter Kit

August 13, 2009 Leeann Ward 17

diamond-rio With four CMA and two ACM Awards and five Gold and two Platinum albums, Diamond Rio was the premier country group of the nineties. They were one of the few groups in country music to serve as the exclusive vocalists and instrumentalists on their studio albums while most other groups in country music utilized professional studio musicians and even singers to fill out their records.

Their sound was a mix of multiple influences, but Diamond Rio’s music was not mistaken as anything other than country, which was particularly a result of the six vital member’s distinct and tight harmonies and organic productions that all gelled together to form a tight vocal group in every sense.

Ten Essential Tracks

“Meet in the Middle”
from the 1991 album Diamond Rio

“Meet in the Middle” is famous for being the first debut single to reach the top of the country charts by a band. This song of commitment and compromise is both singable and relationally instructive. It also appropriately introduces Diamond Rio as a group with a unique sound that will soon be instantly recognizable on nineties country radio.

Recommend A Religious Album

August 12, 2009 Leeann Ward 32

Many people may mistake my cynicism regarding, what I perceive as, heavy handed God centric songs in country music as not having appreciation for religious songs as a rule. This, in fact, is not accurate. While I cringe at certain religiously themed songs that feel too forced or contrived, I will admit here that I am easily taken in by religious songs. In fact, Randy Travis’ Worship And Faith is one of my favorite albums from his expansive discography. Likewise, I can’t get enough of Iris Dement’s Lifeline. While I, of course, always recommend those albums to all who haven’t heard it yet, there is somebody else that I urge you to check out if you don’t mind some “ old time religion in your heart.”

Tracy Byrd Starter Kit

August 11, 2009 Kevin John Coyne 13

tracy-byrd1 One of the side effects of the nineties boom was that every Nashville label started looking for young male acts that looked good in a Stetson and could sing with an accent.

The end result was that some solid talent was discovered a bit too early, before they’d fully refined themselves into artists. Tracy Byrd’s a great example of this. Only 25 years old when his first single went to radio, Byrd had been plucked from the Beaumont, Texas music scene that had groomed Mark Chesnutt.

Byrd’s hit material from the nineties was reflective of what the B-list hat acts recorded during that era, though his vocal charm helped him elevate middling songs from time to time. He also turned in a few gems, with his music getting far more consistent as he entered his thirties.

His last studio album, 2006’s Different Things, was excellent, but radio had already moved on to the new twentysomethings at that point, artists who will probably be making better music a decade from now and being overlooked for the new, new twentysomethings.

Ten Essential Tracks:

“Holdin’ Heaven”
from the 1993 album Tracy Byrd

When surprisingly strong sales greeted the release of Byrd’s debut album, radio jumped on board. This catchy tune briefly knocked Garth’s “Ain’t Goin Down” out of the top spot, though Brooks would return to #1 a week later.

Hear Mindy Smith’s New Album

August 11, 2009 Dan Milliken 4

Singer-songwriter Mindy Smith’s latest offering, Stupid Love, is streaming online at Paste Magazine‘s website. It sounds like a poppier effort than her previous two albums, but reviews are strong, and Smith is a great talent. Check it out!

Brooks & Dunn Starter Kit

August 10, 2009 Kevin John Coyne 20

When news broke of Brooks & Dunn’s impending breakup, we decided to move up our planned Starter Kit feature on this quintessential nineties act.

It’s hard to imagine a time when Brooks & Dunn winning an industry award was a breath of fresh air, but when they surfaced in 1991, they quickly ended the long reign of The Judds at the industry award shows. Brooks & Dunn would then make The Judds dominance seem like child’s play. They’d go on to win 19 CMA awards, including 14 in the Vocal Duo category. This shattered the category dominance record held by The Statler Brothers, who won Vocal Group nine times.

They’ve been a core act at radio for eighteen years, and were the first duo or group in the history of country music to sell six million copies of a studio album, a feat they achieved with their debut album Brand New Man. Their cumulative sales are approaching 25 million.

Ten Essential Tracks:

“Brand New Man”
from the 1991 album Brand New Man

The sheer energy of their debut single made them an instant hit at radio. Truth is, this song could come out today and still sound fresh.

“Neon Moon”
from the 1991 album Brand New Man

Ronnie Dunn is one of the genre’s finest male vocalists, especially when he tears into a beer-sipping ballad.

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