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CMA 2010: Female Trouble

September 3, 2010 Kevin John Coyne 85

It’s pretty rare that the CMA nominations garner much attention outside of the country music press, but the always excellent Whitney Pastorek at Entertainment Weekly has a lengthy article trying to rationalize the exclusion of Carrie Underwood and Taylor Swift from the Entertainer category.

It’s amazing that in a year where a record was set for the most nominations by a female artist, there can still be a valid accusation of gender bias among the nominations. Women have been poorly represented in the Entertainer category for pretty much the entire history of the CMA Awards. Even when you include duos or groups with female members, there have never been more than two out of five nominees that are women.

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2010 CMA Nominations

September 1, 2010 Kevin John Coyne 125

Last month, I suggested an infusion of new blood at the CMA Awards. They’ve exceeded even my wildest expectations, rejecting the usual nominees in nearly every race. Lady Antebellum, Zac Brown Band, and Dierks Bentley have quite a bit to celebrate, but this year’s awards belong to Miranda Lambert, who earned a stunning nine nominations, a record for a female artist.

Let’s take a look at this year’s nominees:

Entertainer

  • Lady Antebellum
  • Miranda Lambert
  • Brad Paisley
  • Keith Urban
  • Zac Brown Band

Who’s In: Lady Antebellum, Miranda Lambert, Zac Brown Band

Who’s Out: Kenny Chesney, George Strait, Taylor Swift

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Single Review: Carrie Underwood, "Mama's Song"

August 27, 2010 Kevin John Coyne 69

Love ain’t no fairytale.

The latest single from Carrie Underwood knows and embraces this. I can’t remember another wedding song that is so understated in its declarations. As she prepares to marry, she reassures her mother that this man is good. That’s pretty much it.

Pretty much it on paper, at least. But notice how the term is repeated – “He is good, so good.” Underwood chooses to emphasize those five words more than any others in the song, singing them as if just being good is enough to qualm a worried mother’s fears for her daughter’s future.

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Single Review: Toby Keith, “Trailerhood”

August 26, 2010 Leeann Ward 10

Most of us can admit that Toby Keith is a premier balladeer. Something that has been largely forgotten about him in the last few years, however, is that he’s also rather good at having good fun too. Lately, he’s mostly associated with swagger and subpar music (with the exception of some decent ballads here and there), but “Trailerhood” is here to remind us of how jovial Keith can sound when he lets his boisterous guard down and just allows himself to have some fun.

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A Bountiful Harvest

August 25, 2010 Kevin John Coyne 30

This fall, there seems to be as many new albums from significant country artists as I can remember. Just look at Roughstock’s indispensable Fall 2010 Releases list.

New releases are on the way from no less than eight past CMA Entertainer of the Year nominees and winners, along with current top sellers Zac Brown Band, Billy Currington, Jamey Johnson, and Montgomery Gentry.

So head on over to see that list, then come back to answer this question:

What Fall 2010 CD Release are you most excited for?

400 Greatest Singles of the Nineties: #50-#26

August 24, 2010 Kevin John Coyne 16

The themes of love and loss have permeated country music for as long as it’s been in existence. This second-to-last batch of great nineties hits contains songs that are direct descendants of well-known classics like “Can the Circle Be Unbroken” and “I’m So Lonesome I Could Cry”, along with a Shania Twain hit that would have made Roba Stanley smile.

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Single Review: Jamey Johnson, "Playing the Part"

August 21, 2010 Kevin John Coyne 15

Country boy, you got your feet in L.A. Again.

The country boy as fish out of the water in Los Angeles. Or New York. Or Detroit. It’s a pretty common theme in country music. Jamey Johnson does his own spin on this theme with his new single, “Playing the Part.” It’s not terribly bad, but it’s not terribly good, either. “Big City” certainly doesn’t have to worry about losing its slot on the Waffle House Jukebox.

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