Music Memories: Christmas Morning
My earliest Christmas memory is 1985. I was six years old, still believed in Santa Claus, and like my older sister, I was on the receiving end of plenty of gifts that I never would’ve thought to ask for.
This particular Christmas, I had asked for a cassette of Soul Kiss, of all things. I had seen a video on HBO of a song from the album, and somehow my parents were able to figure out how to get that specific tape, which I hadn’t asked for by title. So it was in my stocking. No big deal.
The Best Singles of 2010, Part 4: #10-#1
Our look back at the year’s best singles comes to a close, with unprecedented CU consensus at the top of the list. The top two singles of the year were ranked in that order by three of our four writers, and both appeared in the top ten of the fourth writer.
Here’s our ten best of 2010:
The Best Singles of 2010, Part 4: #10-#1
#10
Draw Me a Map
Dierks Bentley
Bentley is getting a lot of deserved attention for sonically diverging from the mainstream to create a bluegrass inspired album. It’s an excellent album, but to his credit “Draw Me A Map” isn’t so far removed from some of the unreleased songs on his first two mainstream projects; It’s just that he gets to shine a finer focus on it for this album, therefore, this seemingly subversive song for radio gets to be released. The inspired blend of Bentley’s ragged voice with Alison Krauss’ angelic voice takes the song to an even sweeter level. – Leeann Ward
#9
Broken
Chely Wright
Robert Louis Stevenson once remarked that “Hope lives on ignorance; open-eyed Faith is built upon a knowledge of our life, of the tyranny of circumstance and the frailty of human resolution.” He was talking, in context, about marriage. The truth is that no one enters a relationship completely free of burden, and only by submitting to the complications of that truth can we avoid being ruled by them. Wright, for her part, manages the task with simple, earnest grace, probably strengthening her relationship through mere acknowledgment of its inherent weakness. – Dan Milliken
The Best Singles of 2010, Part 3: #20-#11
Here are the ten singles that were almost the best of the year:
The Best Singles of 2010, Part 3: #20-#11
#20
Crazy Women
LeAnn Rimes
Poised, calculated and ferocious all at once, Rimes’ performance captures the exact persona of the scorned “ex-wives and old girlfriends” she sings of. It’s a wiser, cooler revenge anthem than we’ve heard in awhile, and it takes the crown for the year’s most fabulous opening line: “Who’d have guessed that Aqua Net could start a fire with a single cigarette?” – Tara Seetharam
#19
What Do You Want
Jerrod Niemann
A contemporary spin on the standard country theme of heartache, “What Do You Want” owes its brilliance to its perfect storm of elements: The raw honesty of Niemann’s plea (“I get so tired of living like this/I don’t have the time/Neither do my friends”). The hollow, pulsing arrangement that mirrors his cycle of pain. The killer vocal performance, soaked in emotional fatigue. Each element draws out the potency of the next, culminating in one of the most captivating releases of the year. – TS
The Best Singles of 2010, Part 2: #30-#21
The countdown continues, with appearances by popular new artists joined by a pair of nineties veterans.
The Best Singles of 2010, Part 2: #30-#21
#30
Roll With It
Easton Corbin
It’s easy to overlook Corbin’s second single as just another breezy summer tune, but it stands above the rest, thanks to its near-perfect execution. From the spirited delivery to the skillful handling of otherwise trite phrases –like the title phrase and “it won’t be no thang”— “Roll With It” makes a fresh, invigorating case for shedding everyday troubles and, well, rolling with it. – Tara Seetharam
#29
I Put My Ring Back On
Mary Chapin Carpenter
“I Put My Ring Back On” is a throwback to the sounds of Mary Chapin Carpenter’s glory days on the charts. It’s catchy with a message of relational perseverance. As a result, it’s one of the two most memorable songs on her latest album. – Leeann Ward
The Best Singles of 2010, Part 1: #40-#31
Greatness comes in twos this year, as ten different artists make dual appearances on this list. Perhaps this demonstrates a greater truth about 2010. Sure, there was some good music, but greatness was concentrated among a smaller group of artists than usual.
As is the annual tradition, we’ll reveal this year’s forty best singles, ten at a time. Check back tomorrow for Part 2.
The Best Singles of 2010, Part 1: #40-#31
#40
Why Wait
Rascal Flatts
The Flatts boys return to their roots with this bright, infectious slice of country-pop. Bonus points for keeping both Gary LeVox’s voice and Dann Huff’s production in check. – Tara Seetharam
#39
That’s Important to Me
Joey + Rory
So far, Joey+Rory’s calling card has been their ability to exude authenticity through their songs with a naturalness and warmth as convincingly as a certain mother-daughter duo of the eighties, The Judds. Only, unlike the Judds, this partnership’s perceived connection isn’t marred by real accounts of strife and familial discord. Instead, by all accounts, Joey and Rory’s love is as sweet as their musical harmonies suggest. And this song is a nice encapsulation of what makes them who they are as a duo, both in a personal and professional sense. – Leeann Ward
Single Review: Ashton Shepherd, “Look it Up”
Karmic retribution for every boring vocabulary lesson I ever bored my students with during my years as an English teacher.
I’d call this Jo Dee Messina’s B-material, but I’m pretty sure she’d have passed on this one, even though she’d sing it a lot better. I get that Ashton Shepherd is bringing country back to country, but a dull vocal isn’t improved by exaggerated twang. It just sounds forced.
2010 Christmas Albums Extravaganza
Yay! Christmas time is here again!
This year, instead of writing about this year’s crop of Christmas projects individually, I’ve decided to round them up in one post in an effort to make sure I acknowledge all of them. Unless I’ve overlooked one, the only album that will be omitted from this roundup is Shelby Lynne’s Christmas album, which is super good/compelling and funky, so it deserves its own review and it will come as soon as I figure out how to write about it.
Let the fun begin!
Carter’s Chord, Christmas
As Toby Keith’s best discovery so far, Carter’s Chord is a talented sister duo that hasn’t yet gotten the success that they deserve. With only one digitally released studio album that has received criminally little attention, they’ve still managed to deliver a delightful 4-song EP that would be well worth adding to your Christmas collection.