Lionel Richie’s new country duets project, set for a March 27 release, sounds like the kind of thing that could either go very right (Jennifer Nettles, “Hello”) or very wrong (Rascal Flatts “Dancing On the Ceiling,” anyone?). We get a taste of the new project with this re-working of Richie’s classic pop duet with Diana Ross, “Endless Love,” sung this time as a duet with Shania Twain.
This is way better than its title gives it any right to be.
As a native urban dweller, I totally get how the country life can get overlooked. Sure, the country folk can be just as oblivious to our ways of life, but it’s not a fair equivalence. We can overlook them without even knowing we’re doing it, but the fly over states have no way to hide from us.
1973 | #15
These days country radio is peppered with songs about where the singer supposedly grew up. Though often commercially successful, they tend to fail on an artistic level. Why? They very often lack some vital ingredients: Detail. Authenticity. Sincerity. That’s why Dolly Parton’s classic “My Tennessee Mountain Home” outclasses nearly all of them.
You already know that feeling.
One Sunday afternoon you go about rummaging through your attic, looking for items to donate to a local rescue mission…..and suddenly you find yourself re-acquainted with a bedroom poster depicting your favorite artist growing up, lightly caked in dust. At that very moment you let out a bittersweet sigh, and fondly stare into space as you reminisce of an early flame that came and went in your life, while that artist contributes the soundtrack to your saudade.
The nominations have been announced for the 2012 Academy of Country Music Awards.
Kenny Chesney leads with nine nominations. Jason Aldean, Lady Antebellum, and Brad Paisley follow.
Check out the entire list of nominees here.
1972 | #14
It’s another Porter and Dolly love song, and such do tend to be less memorable then their heartbreak songs and bickering-couple songs. The chorus of “Together Always” is rather blank lyrically, but it’s lifted to a higher level by Parton’s spirited performance. The lilting melody and light piano-driven arrangement lend a subtly infectious, joyful sound to the record.
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David Nail’s new single “The Sound of a Million Dreams,” from his current album of the same name, could be seen as something of a musical mission statement. It is a tribute and testament to the power of a well-crafted, deeply resonant song. 
