The 30 Day Song Challenge: Day 23
Today’s category is…
An Oldie But Goodie.
Here are the staff picks:
Kevin Coyne: “Tell It to the Rain” – The 4 Seasons
You can tell it’s the mid-sixties because they’re dabbling a bit with production gimmicks. I think it’s their coolest sounding record, one of their best compositions, and Frankie Valli at the peak of his vocal prowess.
Single Review: Brad Paisley & Carrie Underwood, “Remind Me”
A couple yearning to rekindle the fire in their relationship? Classic country. One asking the other if he/she remembers the old passion and the other chiming in “remind me”? That’s pretty good, too – and genuinely sexy in a way neither Brad Paisley nor Carrie Underwood has ever been on record. There’s no doubt that this single was loaded with potential.
The 30 Day Song Challenge: Day 22
Today’s category is…
A Story Song.
Here are the staff picks:
Tara Seetharam: “The Dance” – Garth Brooks
I’m not sure if this song really constitutes as a “story”song, but its metaphor is so beautifully written that it feels as rich as the best country songs in this category. Regret is a funny thing; sometimes it’s easier to succumb to it than it is to own and embrace your memories – fleeting though they may be. Brooks takes this somewhat tried and true theme and spins it into a poignant, lovely tribute.
The 30 Day Song Challenge: Day 21
Today’s category is…
A Song You Used to Love But Now You Don’t.
Here are the staff picks:
Dan Milliken: “Homewrecker” – Gretchen Wilson
Here for the Party came out when I was fourteen and just getting really into country music, and it was so much fresher than most of the mainstream stuff at the time that it instantly became one of my favorite albums. “Homewrecker” wasn’t my favorite on the set (that was “Chariot,” which still sounds cool), but I did find it amazingly clever and funny in a way I couldn’t once I had gotten properly acquainted with Loretta Lynn.
5 Five-Second Single Reviews: Laura Alaina, Rodney Atkins, Sara Evans, Joe Nichols, Kellie Pickler
Lauren Alaina, “Like My Mother Does” (Listen)
Written by Nathan Chapman, Liz Rose and Nicole Williams
Not bad, but not nearly enough to acquit her from those pending desecration charges.
The 30 Day Song Challenge: Day 20
Today’s category is…
A Song You Used to Hate But Now You Don’t.
Here are the staff picks:
Leeann Ward: “What Was I Thinkin'” – Dierks Bentley
When this song was making its chart run, I didn’t like it at all. Apparently, my ears were clogged then. About three years ago, I suddenly realized that I loved it. How couldn’t I love it, especially with Randy Kohrs’ riveting slide guitar action?
The 30 Day Song Challenge: Day 19
Today’s category is…
A Song You Hate by an Artist You Love.
Here are the staff picks:
Kevin Coyne: “Honk if You Honky Tonk” – George Strait
Not even Trace Adkins would cut this.
Oh, who am I kidding? Of course he would.
But it should be beneath the stature of a legend like George Strait. His talent helped him pull of “Write This Down” and “Don’t Make Me Come Over There and Love You”, but there was no saving this one.
Single Review: Scotty McCreery, “I Love You This Big”
Any review of this single anywhere is like begging for site traffic from impassioned fans/haters. I don’t do nearly enough favors for Country Universe most of the time, though – so allow me to greet you down on my knees, Scottyfolk.
A preface: I didn’t watch this past season of American Idol, so this single is basically my first exposure to its winner, and I feel no sour grapes that he beat out So-And-So or What’s-Her-Face, and I don’t care about his adorable TV backstory or any of that. The only metric I’m using is whether “I Love You This Big” sounds like something I’d want to hear on the radio between “Teenage Daughters” and “Amen.”
The 30 Day Song Challenge: Day 18
Today’s category is…
A Song You Love By an Artist You Don’t.
Here are the staff picks:
Dan Milliken: “Ticks” – Brad Paisley
He was one of the first country artists I got into, but I’ve developed a sourness for Paisley over the years. With each successive album, his songwriting voice has tended to sound a little more self-impressed and a little less self-aware. “Ticks” is a nice exception to my ears, though. For once, Paisley seems to get that he’s playing the machismo creep, so a listener can take perverse pleasure in listening to him be creepy rather than balk at the fact that they’re expected to sympathize with him. It helps that it’s one of his cooler-sounding singles, too.