Country Universe

Album Review: Sara Evans, <i>Playlist: The Very Best of Sara Evans</i>

January 29, 2013 Ben Foster 3

Sara Evans
Playlist: The Very Best of Sara Evans

While Sara Evans is reportedly in the studio hard at work on her forthcoming seventh studio album, Sony Legacy has released a new fourteen track retrospective of her sixteen-year career – the latest installment in the label’s Playlist series. Coming nearly five and a half years after Evans’ 2007 Greatest Hits package, Playlist: The Very Best of Sara Evans intersperses several of her biggest hits with a few less expected inclusions. While there is some great material to be heard, there are a few missed opportunities as well.

Single Review: Jake Owen, "Anywhere with You"

January 25, 2013 Ben Foster 14

If a song has nothing to say beyond what’s said in its title phrase, what’s the point of writing the song in the first place?

A Conversation with Amber Hayes

January 24, 2013 Ben Foster 3

Independent country artist Amber Hayes released her first EP C’mon in the summer of 2010, and has since been covering all media ground, building up a solid fan following without the support of a major label. She had already added “theater performer” to her resume back in 2008, when she was cast as Kathy in the Conway Twitty musical. The year 2012 brought about the release of her second EP Any Day Is a Good Day, as well as her screen debut in the film Cowgirls ‘n Angels. Amber Hayes recently spoke with Country Universe to discuss her accomplishments over the past year.

Signed Copy of Randy Houser’s How Country Feels Up for Grabs

January 22, 2013 Ben Foster 30

Contest closed. Congratulations to winner Seth Isley, whose favorite Randy Houser song is “Anything Goes.”

Randy Houser’s third album How Country Feels, featuring the hit title track, drops today. Country Universe is pleased to offer one autographed copy of this release to give away to one of our readers, courtesy of Girilla Marketing.

Single Review: Darius Rucker, "Wagon Wheel"

January 21, 2013 Dan Milliken 19

No matter that Old Crow Medicine Show’s original track isn’t even ten years old yet. Thanks to the proliferating powers of the modern age, “Wagon Wheel” has already become a chestnut – so much so that any new recording of it is bound to feel a little stale, even a long-overdue FM bid like this one.

iPod Check: Most Played Album Cuts

January 21, 2013 Kevin John Coyne 20

Country music has always been a singles genre, a fact that is clearly reflected on my iPod. Only three of my most thirty played country songs were never sent to radio. That doesn’t necessarily mean radio played them, of course.

My most played country song is Alan Jackson’s “So You Don’t Have to Love Me Anymore”, which didn’t crack the top twenty, and not far behind is Trisha Yearwood’s “Where are You Now”, which didn’t crack the top forty.

But looking at our most played album cuts is a great way to discover great music we might have missed, so it seems like a good choice for an iPod Check. Here are my country album cuts that I’ve played more than 5 times, separated by artist. Sort your list however you like. I’m getting my Amazon MP3 page loaded now so I can buy the great songs I’ve missed which surface in the comments.

Retro Single Reviews: Dolly Parton, 1975-1976

January 19, 2013 Kevin John Coyne 5

Today is Dolly Parton’s 67th birthday. What better time to revisit and relaunch our ongoing feature that reviews every single that she’s released in her illustrious career?

This post will look at her four singles from late 1975 through the end of 1976. Three were solo efforts, while the fourth was her final release of the decade that was a collaboration with Porter Wagoner.

“We Used To”
1975
Peak: #9

Written by Dolly Parton

It was clear by this point that Parton had designs on the pop market, but she hadn’t yet found the right way to make her style work in that format. So we get overlong pop ballads like this, which ramble on forever because Parton’s restraining her vocal trademarks that would make the record too identifiably country.

Album Review: Katie Armiger, Fall Into Me

January 17, 2013 Ben Foster 4

Katie Armiger
Fall Into Me

By now, Katie Armiger’s country music career comprises six years, four studio albums, and still zero bona fide radio hits. Her label Cold River Records has nonetheless stuck with her since 2007, with her previous outing, 2010’s Confessions of a Nice Girl, producing her first chart singles in the #55 “Kiss Me Now” and the #42 “Best Song Ever.” Her new album Fall Into Me has yet to reverse her fortunes at radio – Lead single “Better In a Black Dress” topped out at #42 on Billboard Country Airplay – but it no doubt contains more than enough tasteful, likeable pop-country material to keep current fans interested.

A Conversation with Katie Armiger

January 15, 2013 Tara Seetharam 2

In 2007, Katie Armiger released her first album at just 15-years-old after winning a local singing competition in Texas. Since then, she’s had quiet but solid success in the industry, earning four Billboard-charting singles and touring with major artists such as Brad Paisley, Little Big Town, Jason Aldean and Ronnie Dunn.

Last year, Country Weekly’s readers voted 21-year-old Armiger the “Hottest Bachelorette” for the second consecutive year, just before she appeared on ABC’s dubious reality television show, “The Bachelor Pad.” Ironic events, considering the fellow Sugar Land native has built her image on independence and empowerment, themes she captures pithily on her first Top 40 hit, “Better in a Black Dress.”

Six Pack: Iris DeMent

January 13, 2013 Kevin John Coyne 7

Even long-time readers of Country Universe could be forgiven for getting to #2 on our Top Country Albums of 2012 list and wondering, “Who on earth is Iris DeMent?”

Iris DeMent came out of nowhere in 1992 with a stunning debut album, Infamous Angel, that received rapturous critical acclaim. The general consensus was that it heralded the arrival of a new singer-songwriter for the ages.

Two years later, My Life only strengthened that sentiment, and DeMent was widely seen as a critical voice in what would eventually become known as the Americana music genre.