Single Review: Sara Evans, “Anywhere”
Nothing like a good country music driving song, right? I could make a whole road trip playlist full of them. Ostensibly, Sara Evans upcoming single “Anywhere” is seeking a spot on my road trip playlist. It’s a bit off-putting, unfortunately, that the lyric plays more like a watered-down knockoff of Jo Dee Messina’s “Heads Carolina, Tails California.”
At the very least, the single earns points for a committed vocal performance on Evans’ part, as well as a cool banjo-rocker of a production, which could have made for a pleasant little slice of pop-country. But the song structure is totally not there.
2012 ACM Awards: Staff Picks & Predictions
Throw on your bedazzled boots – the 47th annual Academy of Country Music Awards air live from Las Vegas this Sunday at 8 p.m. EST. The show promises to be a melting pot of performances, with oddball duets like Rascal Flatts and Steve Martin – and no, that’s not an April Fools joke. The CU staff picked and predicted the awards below. Tell us your thoughts, and check back for our live blog on Sunday night!
Entertainer of the Year
Should Win:
- Jason Aldean
- Kenny Chesney
- Brad Paisley
- Blake Shelton
- Taylor Swift – Jonathan, Dan, Tara, Leeann, Kevin, Ben, Sam
1986 | #1
Single Review: Martina McBride featuring Pat Monahan, “Marry Me”
Honestly, I was never a huge fan of this particular Train hit. The lyric has a few interesting lines, but I couldn’t help but find it a bit schmaltzy and heavy-handed. Plus it’s like he just met this girl in a cafe, and he’s already getting ready to propose marriage? I would probably have liked the song better without “If I ever get the nerve to say hello in this cafe.”
So it figures that Martina McBride reworks it into a duet with Train frontman Pat Monohan (after having joined Train for an episode of CMT Crossroads), and I can’t get over how cool they make it sound.
100 Greatest Men: #59. John Anderson
100 Greatest Men: The Complete List
As one of the finest new traditionalists of the eighties and nineties, John Anderson pushed the boundaries of country music without sacrificing its distinctive heritage.
1999 | #13