Single Review: Chris Young, "I Can Take It from There"
In some aspects, Chris Young’s hook-heavy new single may come off as a calculated bid to regain the airplay he unjustly lost from country radio’s tepid response to the excellent but underappreciated “Neon.” Unfortunately, it’s hard to call him out for peddling safe material when I can’t get my toe to stop tapping.
The Day the Music (Chart) Died
So, Billboard decided to completely change its chart methodology today:
Billboard unveils new methodology today for the long-standing Hot Country Songs, Hot R&B/Hip-Hop Songs and Hot Latin Songs charts. Each receive a major consumer-influenced face-lift, as digital download sales (tracked by Nielsen SoundScan) and streaming data (tracked by Nielsen BDS from such services as Spotify, Muve, Slacker, Rhapsody, Rdio and Xbox Music, among others) will now be factored into the 50-position rankings, along with existing radio airplay data monitored by Nielsen BDS. The makeovers will enable these charts to match the methodology applied to Billboard’s signature all-genre songs ranking, the Billboard Hot 100.
On the surface, this seems like a good idea. After all, the country singles chart included both sales and airplay data for decades, until switching to airplay-only in 1989. Declining availability of retail singles made this change necessary.
Retro Single Review: Shania Twain, "It Only Hurts When I'm Breathing"
2004 | #18
Of all Shania Twain’s gifts as a singer-songwriter, her ability to tackle heartbreak may have been the most under-heralded. That side of Twain was well showcased on several standout tracks from The Woman In Me, but of all the nineteen tracks on the Up! album, there was only one sad song in the bunch. But oh, what a beauty it was.
Sonically, newcomer Greg Bates’ debut hit is a pleasant, infectious slice of nineties-esque contemporary country with a moderate traditionalist bent. It’s the kind of song that country star Chris Young has made his calling card.
My natural inclination is to hate any song that employs the word “bikini” right in the opening verse, but there might actually be a decent feel-good country rock jam in here somewhere.
Pleasant enough, but it just feels a bit too safe.
Single Review: Taylor Swift, "Begin Again"
The title of Taylor Swift’s new single is oddly appropriate, as her label hits the reset button at country radio.
“We are Never Ever Getting Back Together” was apparently too pop for her genre home base, though it will certainly continue to dominate top forty for a good long while. Country radio is now getting its own single, and it’s quite the genre exercise.