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CU Roundtable Review: Martina McBride, “I’m Gonna Love You Through It”

August 3, 2011 Kevin John Coyne 12

Written by Ben Hayslip, Sonya Isaacs, and Jimmy Yeary

Leeann Ward:

After changing record labels and subsequently releasing the refreshingly sassy “Teenage Daughters”, not to mention interviews that hinted that she hadn’t been completely happy with the direction that her music had taken in recent years, it seemed that blessedly gone might be the days of overwrought, cloying power ballads with generic productions for Martina McBride. The release of “I’m Gonna Love You Through It”, however, laid that hope to rest for those of us who had tired of such songs a zillion Martina songs ago

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Single Review: Miranda Lambert, “Baggage Claim”

August 2, 2011 Dan Milliken 29

A swing and a miss.

Give Lambert her usual credit for adventurousness: the production on this kiss-off is rustic and snappy, like some lost 70’s folk-rock nugget. And “Baggage Claim” is an artist’s work, not an assembly-line knock-off; we certainly haven’t heard this central metaphor before.

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Retro Single Review: George Strait, “Amarillo By Morning”

August 2, 2011 Kevin John Coyne 2

1983 | Peak: #4

Arguably his signature song, “Amarillo By Morning” officially announced Strait as a distinctive artist of substance and merit.

Listening to it 28 years after its original release, it’s amazing how much this sounds like George Strait, like he’s finally found his niche as a performer.

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Retro Single Review: Dolly Parton, “Daddy”

August 1, 2011 Kevin John Coyne 1

1969| Peak: #40

“Daddy” is the first in a string of provocative Parton singles that absolutely bewildered country radio.

Here, a daughter addresses her cheating father, who is leaving her mother behind for a woman who is younger than 23, the age of our unhappy narrator here.

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Retro Single Review: Shania Twain, “Any Man of Mine”

July 29, 2011 Ben Foster 16

1995 | Peak: #1

By now, “Any Man of Mine” has become such a familiar Shania classic that it’s easy to take for granted what a bold artistic move it was at the time.

Though feminist viewpoints previously had surfaced in country music at times through the likes of Loretta Lynn and Kitty Wells, they were the exception rather than the rule in 1995. In the early to mid-nineties, it was more common for female artists like Reba to be topping the charts with sad songs that often cast the woman as the victim.

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Retro Single Review: Tim McGraw, “Don’t Take the Girl”

July 29, 2011 Leeann Ward 16

1994 | Peak: #1

After the loud, thumping, controversial nature of “Indian Outlaw”, it’s a good thing that Tim McGraw had another trick in his bag to be found on that second album, which needed to be successful after his debut album, as he has stated, “went wood.” There’s little doubt that the sappy, three act single is what catapulted McGraw’s status to the superstar level that he’s enjoyed since.

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