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Single Review: Hunter Hayes, "Wanted"

June 14, 2012 Ben Foster 10

With song titles like “Storm Warning” and “Rainy Season,” one might very well wonder if Hunter Hayes had at one time been an aspiring meteorologist. At any rate, the frosty-haired twenty-year-old has been gradually making inroads on country radio with the support of his hordes of cheering female fans.

So far, it’s a familiar story: A strong voice crying out for strong material.

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Single Review: Chris Young, "Neon"

May 19, 2012 Tara Seetharam 16

Chris Young’s third single off of Neon continues to position him as an artist with a skill so few of his contemporaries possess: the ability to gracefully tread the line between vintage and current.

It’s easy to compare this title track to Brooks & Dunn’s dance hall classic, for example, but Young’s ode to a bar has legs all its own. “Neon” puts a different spin on melancholy – less aching and more content in defeat. If there’s a broken heart in the mix, Young’s too deep into his sweet escape (on the rocks) to care.

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Single Review: Blake Shelton, "Over"

May 6, 2012 Kevin John Coyne 16

This one’s a dead ringer for one of those nineties lukewarm rock ballads. You know the kind.

A faceless band with a generic frontman singing a plaintive love song that relies on pounding guitars for its intensity. It’s their one hit that gets played everywhere, but nobody buys the album because it’s just going to pop up on some late-night hits collection anyway.

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Retro Single Review: Alan Jackson, "(Who Says) You Can't Have it All"

April 29, 2012 Leeann Ward 3

1993 | Peak: #4

“(Who Says) You Can’t Have It All” is not just an average song of lost love. Rather, the loss translates into a certain resolution from a man who is the lord and master of his proverbial castle that has turned into nothing more than a lonely room with “a ceiling, a floor and four walls”, full of pictures and memories of the broken past.

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Single Review: Little Big Town, "Pontoon"

April 29, 2012 Dan Milliken 12

This new Little Big Town single sounds cool. Surprise? Nah – they always sounded cool with Wayne Kirkpatrick producing, and new helmsman Jay Joyce brings the same quirky groove-sense he brought to Eric Church’s Chief. It’s a good sonic match.

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