An ode to being a chain-free, red wine-drinking hot mess could be tacky and unnecessarily snarky in lesser hands. In Armiger’s, it’s tasteful, swampy and empowering. Grade: B+
I love how Hayden Panettiere’s “Juliette Barnes” character on ABC’s Nashville supposedly represents the “adolescent pop” side of country music… and yet somehow still manages to sound more country than half of what’s on country radio today.
Great hooks have become a dying breed in mainstream country music. It seems every other single review I write includes criticism for a hook that falls flat. Exhibit A: Tim McGraw’s new single.
One of the things that frustrates me the most about today’s mainstream country music is the way so many of the songs just seem to be screaming ‘Like me! Like me! Like me!’
Thirty years ago, Madonna released her first single. In the years that followed, she dominated radio formats across the dial, but never released a single targeting the country market. Until now.