Rocker Aaron Lewis effectively schools current mainstream country radio on country music. By declaring that what’s being accepted as country music isn’t actually country, he demonstrates what country music is.
“Record Year” is cleverly written, intertwining turns of phrase with musical references that will satisfy everyone from the casual country fan (Red Headed Stranger) to the scholarly one (New Grass Revival.)
In an alternate universe, Josh Turner should be square in the middle of a long string of neo-traditionalist hit songs and albums. His baritone was tailor-made for a country song, more so than just about any other male singer in recent memory.
On his newest album, If I’m Honest, Blake Shelton diverts from the album’s generally synthesized sound to take a breather for a lovely gospel gem, which he wrote with Jessi Alexander and Jon Randall.
A baffling mix of romanticism and religious imagery, Florida Georgia Line’s attempt at respectable music only puts their musical incompetence into sharper relief.