Single Reviews

Carolina Rain, “Isn’t She” They’re a great vocal group doing an unfortunate Rascal Flatts impression. To their credit, they sound better than the supergroup – none of the annoying nasal whining that defines RF’s sound

Ashley Monroe with Ronnie Dunn, “I Don’t Want To” Monroe impressed me with her debut single, “Satisfied.” I still really dig her voice, though she throws in a few too many trills here. She’ll gain

All apologies for the site going quiet, but blogging couldn’t compete with Wii-ing. Here’s a long overdue rundown of recent singles. AARON TIPPIN, “He Believed” Nice, heartfelt ode to a father that could’ve devolved into

CAROLYN DAWN JOHNSON, “Taking Back My Brave” This is much better than her last single. Lyrically strong, with a good vocal performance. The production kinda just lays there, though. Could’ve used more muscle. DARRYL WORLEY,

MONGTOMERY GENTRY, “Some People Change” The boys turn in a strong cover of a song that originally appeared on the Kenny Chesney album When The Sun Goes Down. The message is more powerful coming from

BRAD PAISLEY, “She’s Everything” Every time I think he can’t make a more conscending love song, he surprises me. Is there any woman who’d really be touched by being compared to a pair of running

BOB SEGER, “Wait For Me” Why is this being released to country radio? It’s not even good rock, let alone good country. CAROLYN DAWN JOHNSON, “Love & Negotiation” Why does she sound so shrill? She’s

BIG & RICH, “8th of November” They continue to expand their music sonically and thematically. This is the best war-themed song since “Travelin’ Soldier.” BLUE COUNTY, “Firecrackers and Ferris Wheels” This lead vocalist is an

Here’s the first batch of single reviews in a long time. Starting today, single reviews will be posted every Thursday. Dierks Bentley, “Every Mile A Memory” An encouraging preview of his forthcoming third album. He