Rascal Flatts begins the new year with another overwrought, regret-filled ballad that sounds like a Casey Kasem countdown dedication, a wimpy attempt at meaningfulness that will tug at the hearts of young women well into
Figures. Just as I was thinking I might forgive Zac Brown Band for making my least favorite track on The Foundation their first single, they go and release what might be my second-least favorite as
On the surface, family bluegrass act Cherryholmes’ new single might seem to paint by a lot of standard Nashville numbers, but don’t let the use of over-exploited motifs (God, soldiers, solders’ families) distract you from
The song that Sammy Kershaw is hoping will be his comeback hit is written so that it will appeal to just about everyone. It gives shout-outs to workers across America: postal workers, teachers, vending machine
Mark Chesnutt croons his way through “Things To Do In Wichita” with his usual ease and decisive country swagger. The theme of love gone wrong is timeless in country songs and this one is executed
“How about you don’t”, as in “how about you don’t leave me” seems like an arrogantly feeble argument to try to get someone to stay, don’t you think? Well, that’s the point of The Lost
Listening to the Darryl Worley single, my mind kept drifting to one of my favorite Simpsons episodes. Apu, proprietor of the Kwik-E-Mart, has recently become the father of octuplets. He hasn’t slept in weeks, and
“Islands in the Stream” is a ridiculous song. The arrangement is tacky. The lyrics make absolutely no sense. It’s basically a big ol’ hunk of cheese, aged since 1983. So why did it work so
You could write one heck of a great song by exploring the complex perspective of a boy who feels obligated to fill the void left in his family by his father’s engagement away from home.
In the past, one could credibly argue that while Craig Morgan’s music hasn’t been especially memorable or intriguing, his music had a sort of authentic charm that helped set him apart from some other mid-level