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Brad Paisley, “Then”

March 22, 2009 Leeann Ward 24

With a few notable exceptions Brad Paisley’s catalog consists of jocularity and love. He covers both categories rather well, but he also runs the risk of sounding stale after trotting out the same themes time

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Jo Dee Messina, “Shine”

March 22, 2009 Kevin John Coyne 3

Jo Dee Messina’s singles generally into two categories: empowering anthems and sardonic kiss-off numbers. Her best singles, like “Bye Bye” and “Downtime”, are a little bit of both.

Given the title, it doesn’t take a rocket scientist to figure out which type of song “Shine” is. She’s had enough of looking at the glass half empty and is now determined to live her life to the fullest, taking every moment that she can to shine.

It’s decent enough, but the problem with releasing so many songs in the same vein is that the new releases are invariably stacked up against the old ones. In this case, the comparison does “Shine” few favors.

It doesn’t feature the energetic spark normally associated with Messina’s spurts of positivity, and she sounds more resigned to her life rather than reinvigorated by it. It doesn’t help that the production has such little luster, a strange choice to make for a song that is trumpeting the sunny side of life.

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Tracy Lawrence, “Up to Him”

March 21, 2009 Leeann Ward 2

Let me preface this review by disclosing that Tracy Lawrence was among my favorite hit makers in the early to mid-nineties. His voice was gritty and distinctive.
Moreover until the latter part of that decade, his song choices were enjoyable and even solid.

Regrettably, I cannot apply the same praise to his single, “Up to Him”, which is the lead single for his upcoming inspirational album. As has been a looming factor with Lawrence’s career ever since the album following Time Marches On, there is nothing remotely interesting about this song.

While the premise is arguably a legitimate sentiment for a country song, neither the song nor the delivery of it brings anything new or fresh to the oft sung about theme of working hard for one’s family through the strength of God. Instead, we are subjected to blandness that is not sonically or lyrically engaging. Furthermore, Lawrence doesn’t even sound as though he’s especially interested in what he’s singing about either. His voice is still recognizable, but it lacks the charisma it once had, which, incidentally, also happens to be the song’s ultimate downfall.

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Keith Urban, “Kiss a Girl”

March 12, 2009 Kevin John Coyne 19

Keith Urban has grown tremendously as a singer over the past decade. On “Kiss a Girl”, he milks his vocal talent for all that it’s worth. The emotion in his voice is so palpable that

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Dierks Bentley, “Sideways”

March 5, 2009 Kevin John Coyne 12

I’m about to write a sentence that I never thought I would: I wish this song had been recorded by Montgomery Gentry instead. Dierks Bentley is a solid songwriter and vocalist, but this is so

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David Nail, “Red Light”

February 22, 2009 Dan Milliken 39

There’s a potentially interesting song underneath all the lyrical unfocus and musical melodrama that couch David Nail’s third bid to country radio. The story is this: a girl breaks up with a guy while the

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