As one half of Big & Rich, John Rich has certainly demonstrated that he knows how to throw a big, ostentatious party. However, in “Shuttin’ Detroit Down,” Rich’s recent solo release, the Nashville Star judge
I’m about to write a sentence that I never thought I would: I wish this song had been recorded by Montgomery Gentry instead. Dierks Bentley is a solid songwriter and vocalist, but this is so
There’s a potentially interesting song underneath all the lyrical unfocus and musical melodrama that couch David Nail’s third bid to country radio. The story is this: a girl breaks up with a guy while the
One probably thought they knew what to expect from Jessica Simpson on her latest single, “Pray Out Loud,” simply by reading the title: The big-voiced former Christian pop singer was going to put forth her
Do I need to point out the obvious? A two-guy, two-girl harmony group who play rustically instrumented music that sounds heavily influenced by late 70’s/early 80’s pop-rock? I mean, I’m sorry, but is it this
Well, color me surprised. I wasn’t expecting much in the way of personality from That Other Girl From The Wreckers, but Jessica Harp’s debut single as a solo artist is a silly little sugar-pop of
What can you say when the song title tells you upfront how generic the song itself is going to be? I mean, the thing practically reviews itself, doesn’t it? Seriously, though, the problem here isn’t
Blake Shelton has the kind of natural talent and charisma that most performers in Nashville can only dream of. His voice is smooth and strong, sexy yet comforting. It is neither too feminine nor too
The new Little Big Town single is a hook-laden treat that combines a rustic acoustic sound with the loudest country-rock guitars this side of Jason Aldean. It’s the kind of performance that you’d expect from
What can I say? Pat Green’s “Country Star” is gimmicky, bland and altogether misses the mark. It shamelessly namechecks artists such as Faith Hill, Kenny Chesney, Tim McGraw, Big & Rich, Brooks & Dunn, Vince