100 Greatest Women #63 Rhonda Vincent We talk a lot about country artists who cross over to pop, only to find that the crossover audience isn’t as friendly as the one they left behind. When
100 Greatest Women #64 Billie Jo Spears Her star may not have shone as bright as some of her contemporaries in the seventies, but Billie Jo Spears earned a dedicated following both in the United
100 Greatest Women #65 Suzy Bogguss In the liner notes of her debut album, the legendary Chet Atkins wrote that “her voice sparkles like crystal water.” An apt description of Suzy Bogguss indeed. Her pure
100 Greatest Women #66 Paulette Carlson (Highway 101) Few vocalists better illustrate the transition from the new traditionalist revival of the mid-eighties to the country boom in the early nineties than Paulette Carlson. As the
100 Greatest Women #67 Bobbie Gentry M-I-Double S-I-Double S-I-Double P-I. Bobbie Gentry’s swampy vocals came straight out of the Mississippi Delta where she was born and raised. She was born in Chicksaw County, Mississippi, and
100 Greatest Women #68 Holly Dunn Opry member Holly Dunn had a solid five year run of hits that made her one of the more popular female country singers of the late eighties. That’s a
100 Greatest Women #69 Gail Davies Some artists simply come along before their time. They lay out a path that other artists will follow, but they don’t reap the benefits of it. Gail Davies was
100 Greatest Women #70 Sammi Smith She may not have been part of the legendary Outlaws album, but long before the Outlaw movement was a media craze, Smith was the living embodiment of it. Her
100 Greatest Women #71 Norma Jean It’s hard to imagine Dolly Parton having trouble filling anybody’s shoes, but when she replaced Norma Jean on The Porter Wagoner Show in 1967, she was stepping into very
100 Greatest Women #72 Nanci Griffith The eighties brought a mini-folk revival to Music Row, with coffeehouse artists scoring major label deals. Of this group, only Mary Chapin Carpenter went on to mainstream country success,