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Pam Tillis, Sweetheart’s Dance

May 27, 2007 Kevin John Coyne 2

Sweetheart’s Dance April 26, 1994 After two successful albums with producers Paul Worley & Ed Seay, Pam Tillis needed a change. She approached her label with a request to co-produce her third country album, and

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John Anderson,Easy Money

May 19, 2007 Kevin John Coyne 1

John Anderson Easy Money By Paul W. Dennis John Anderson and George Strait are about the only two with a high profile left from the generation of male singers that came to prominence in the

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Miranda Lambert, Crazy Ex-Girlfriend

May 19, 2007 Kevin John Coyne 4

Miranda Lambert Crazy Ex-Girlfriend The glimmers of promise flashed by Miranda Lambert on her debut album, Kerosene, have been delivered on and then some on her confident and fully formed sophomore set, Crazy Ex-Girlfriend. Over

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Bucky Covington, Bucky Covington

April 18, 2007 Kevin John Coyne 11

Bucky Covington Bucky Covington The latest American Idol castaway to wash up on the shores of country radio is 2006 eighth-placer Bucky Covington, who sees his debut album hit stores a little over a year

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Pam Tillis, Rhinestoned

April 17, 2007 Kevin John Coyne 10

Pam Tillis Rhinestoned Rhinestoned, the first album of new material from Pam Tillis in nearly six years, once carried the subtitle High on Country Music. The title may have been shortened, but its spirit remains.

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Jack Ingram, This Is It

April 15, 2007 Kevin John Coyne 3

Jack Ingram This Is It Jack Ingram may seem like a new artist to country listeners, but he’s been releasing albums since 1995. In 2005, he attached two new studio tracks to a live album,

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Martina McBride, Waking Up Laughing

April 8, 2007 Kevin John Coyne 7

Martina McBride Waking Up Laughing As the genre’s leading female vocalist for the past few years, it’s hard not to have high expectations for a Martina McBride record. Her consistent success at radio and retail

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Tim McGraw, Let It Go

April 7, 2007 Kevin John Coyne 12

Tim McGraw Let It Go Since he broke through in 1994 with the one-two punch of a novelty hit (“Indian Outlaw”) and a heart-wrenching ballad (“Don’t Take the Girl”), Tim McGraw has been refining that

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