The Mavericks Mono For all of their commercial successes and industry recognition, The Mavericks were never a band that bowed to popular trends in country music. On Mono, the second album of their full-fledged revival,
Gretchen Peters Blackbirds More so than her artfully-turned phrases and her novel, evocative imagery, perhaps Gretchen Peters’ greatest gift as a songwriter is her mastery of perspective. Peters’ ability to shift her narrative voice to
Kimmie Rhodes Cowgirl Boudoir Though she’s recorded steadily since the late 80s, Texas singer-songwriter Kimmie Rhodes hasn’t enjoyed either the commercial or critical cachet of many of the other alt-country and Americana acts. Both Wynonna
LeAnn Rimes All-Time Greatest Hits In the eleven years since the release of LeAnn Rimes’ first Greatest Hits package, she’s certainly released enough material to fill out a second installment. But the song selections of her
Rhiannon Giddens Tomorrow is My Turn Although Rhiannon Giddens has been a fixture on the Americana circuit as the frontwoman for the terrific Carolina Chocolate Drops, it’s on her solo debut, Tomorrow Is My Turn,
Punch Brothers The Phosphorescent Blues In reviewing their 2010 album, Antifogmatic, I noted that Punch Brothers were “rapidly evolving into a string-band version of Radiohead.” That assessment comes to full fruition on The Phosphorescent Blues,
Carrie Underwood Greatest Hits: Decade #1 Hits compilations have become an odd thing in the digital age, as they give both hardcore and casual fans little reason to purchase. The new tracks can be downloaded
Jon Pardi Write You a Song A surprisingly entertaining debut effort, Jon Pardi’s relentless enthusiasm infuses even mediocre material with enough energy to make it listenable. Of course, that’s the advantage of a debut album.
David Nail I’m a Fire If he’s a fire, it’s one that doesn’t burn nearly enough. Three albums in, Nail continues to pair great potential with middling results. Despite having better pipes than most of
Zoe Muth World of Strangers Few artists can make “weary” sound as engaging as Zoe Muth. Even though she rarely picks up the tempo past a casually swinging shuffle, Muth captivates with her artfully turned