Mark Chesnutt croons his way through “Things To Do In Wichita” with his usual ease and decisive country swagger. The theme of love gone wrong is timeless in country songs and this one is executed
“How about you don’t”, as in “how about you don’t leave me” seems like an arrogantly feeble argument to try to get someone to stay, don’t you think? Well, that’s the point of The Lost
In the past, one could credibly argue that while Craig Morgan’s music hasn’t been especially memorable or intriguing, his music had a sort of authentic charm that helped set him apart from some other mid-level
My English Lit professor brother-in-law’s music tastes are typically very refined. To give you an idea, while he appreciates country artists like Emmylou Harris and Kasey Chambers, folky singer/songwriters such as Ani DiFranco, Jazz musicians
Being someone who really doesn’t appreciate instrumental albums as much as I probably should, Brad Paisley’s latest instrumental project really hasn’t left a deep impression on me. I don’t hate it, but I don’t especially like
#10 The SteelDrivers, The SteelDrivers Chris Stapleton’s voice just blows me away. As Lee Ann Womack has recently observed, he sings like a real man. He takes Travis Tritt’s soulfulness to a whole new level.
Here are my favorite singles of 2008. As Dan has done, I lifted the entries that I had already written from our collective list for this article. #20: Robert Plant & Alison Krauss, “Please Read
I tend to consistently viscerally cringe at songs that are written with the intention of pulling on its listeners’ heartstrings. I think it’s a dirty trick to which I’m usually immune. However, there are always
Dolly Parton Week kicks off today with the first of two Favorite Songs by Favorite Artists entries. Mine will follow later in the week, along with Classic Country Singles, Retro Album Reviews, Six Packs, and
While Trace Adkins’ formulaic “You’re Gonna Miss This” was received well (likely partly due to his high-profile appearances on Celebrity Apprentice), his more unconventional ballads like the gospel-flavored “Muddy Water”, the thoughtful “Arlington” and the