The Mavericks Mono For all of their commercial successes and industry recognition, The Mavericks were never a band that bowed to popular trends in country music. On Mono, the second album of their full-fledged revival,
Gretchen Peters Blackbirds More so than her artfully-turned phrases and her novel, evocative imagery, perhaps Gretchen Peters’ greatest gift as a songwriter is her mastery of perspective. Peters’ ability to shift her narrative voice to
“Send It On Down” Lee Ann Womack Written by Chris Knight and David Leone The centerpiece of the excellent The Way I’m Livin’, Lee Ann Womack’s “Send It On Down” is an understated but brilliantly
“It Feels Good” Drake White Written by: Derek George, Philip Pence, and Drake White Its content— what with its talk of layin’ by a riverbank, dippin’ toes in the water, and picking up a carton
Kimmie Rhodes Cowgirl Boudoir Though she’s recorded steadily since the late 80s, Texas singer-songwriter Kimmie Rhodes hasn’t enjoyed either the commercial or critical cachet of many of the other alt-country and Americana acts. Both Wynonna
Rhiannon Giddens Tomorrow is My Turn Although Rhiannon Giddens has been a fixture on the Americana circuit as the frontwoman for the terrific Carolina Chocolate Drops, it’s on her solo debut, Tomorrow Is My Turn,
In early February, Zac Brown Band kicked off a brief cycle of Twitter Outrage when they performed a cover of Jason Isbell’s “Dress Blues,” which they are rumored to have cut for their upcoming album,
Punch Brothers The Phosphorescent Blues In reviewing their 2010 album, Antifogmatic, I noted that Punch Brothers were “rapidly evolving into a string-band version of Radiohead.” That assessment comes to full fruition on The Phosphorescent Blues,
Zoe Muth World of Strangers Few artists can make “weary” sound as engaging as Zoe Muth. Even though she rarely picks up the tempo past a casually swinging shuffle, Muth captivates with her artfully turned
Little Big Town Pain Killer Rather than focusing on their unrivaled vocal skill, Little Big Town and producer Jay Joyce approach Pain Killer like a game of “Chicken”: Listening to the album, it appears that