Articles by Ben Foster
One of the things that frustrates me the most about today’s mainstream country music is the way so many of the songs just seem to be screaming ‘Like me! Like me! Like me!’
Concert Review: Pam Tillis & Lorrie Morgan
Pam Tillis & Lorrie Morgan
Grits & Glamour Tour
Southern Kentucky Performing Arts Center
Bowling Green, Kentucky
October 13, 2012
This past Saturday night, I had the immense pleasure of seeing two favorite artists of mine – contemporary country legends Pam Tillis and Lorrie Morgan – perform live in concert at the newly completed Southern Kentucky Performing Arts Center (SKyPAC) in Bowling Green, Kentucky. The SKyPAC is a beautifully decorated 1800-seat venue with excellent acoustics, thus providing an ideal atmosphere for Tillis and Morgan’s fantastic Grits & Glamour show.
Single Review: Chris Young, "I Can Take It from There"
In some aspects, Chris Young’s hook-heavy new single may come off as a calculated bid to regain the airplay he unjustly lost from country radio’s tepid response to the excellent but underappreciated “Neon.” Unfortunately, it’s hard to call him out for peddling safe material when I can’t get my toe to stop tapping.
Retro Single Review: Shania Twain, "It Only Hurts When I'm Breathing"
2004 | #18
Of all Shania Twain’s gifts as a singer-songwriter, her ability to tackle heartbreak may have been the most under-heralded. That side of Twain was well showcased on several standout tracks from The Woman In Me, but of all the nineteen tracks on the Up! album, there was only one sad song in the bunch. But oh, what a beauty it was.
Sonically, newcomer Greg Bates’ debut hit is a pleasant, infectious slice of nineties-esque contemporary country with a moderate traditionalist bent. It’s the kind of song that country star Chris Young has made his calling card.
My natural inclination is to hate any song that employs the word “bikini” right in the opening verse, but there might actually be a decent feel-good country rock jam in here somewhere.
Pleasant enough, but it just feels a bit too safe.
At his best, Brad Paisley has at times demonstrated the rare ability to balance fresh and modern contemporary sounds with a nod toward traditional country genre conventions. On his tasteless new single “Southern Comfort Zone,” that strength sounds it’s been totally buried.
1989 | #1
Album Review: Kathy Mattea, <i>Calling Me Home</i>
Kathy Mattea
Calling Me Home
On her exquisite new album Calling Me Home, Kathy Mattea shows herself to be an artist who fully understands music as a medium of art and self-expression. Following down a path similar to that of her stellar Grammy-nominated 2008 effort Coal, but expanding upon it by dealing with a wider range of topics, Calling Me Home finds Mattea turning to her own roots for inspiration, and producing what just might be the finest album of her illustrious career.