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She Works Hard For the Money. So Does He.

September 7, 2009 Kevin John Coyne 12

Billie Jo SpearsSing for the common man and heaven help the working girl. Country music is full of songs about the working folk. The ones that work a 40 hour week for a livin’, the ones that worked all night in the Van Lear coalmine, the ones who did what they had to do because they didn’t want to let Mama down. Hey, even a girl named Fancy has gotta pay the bills.

In honor of Labor Day, I’m putting y’all to work. What are you favorite songs about working?

I’ll go with one of the somewhat Billie Jo Spears classic “Mr. Walker, It’s All Over,” a #4 hit from 1969. Check it out after the jump, and add your own favorites in the comments!

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Carrie Underwood, “Cowboy Casanova”

September 6, 2009 Kevin John Coyne 68

carrie underwoodIt’s been well established by this point that Carrie Underwood’s eighties pop/rock runs deep in her musical roots. Being part of the MTV generation, this isn’t surprising, as the days of country artists who were only exposed to country music are long gone.

Underwood draws on those roots more than she’s ever done on a traditional single, but fans from her Idol days will have flashbacks to her star-making performance of “Alone” when they listen to “Cowboy Casanova”, as Carrie does her very best to channel Ann Wilson and often pulls it off. I have to say that the verses are catchier than the chorus, though, and if you’re going to do eighties power pop, you need a stronger, bigger chorus.

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Craig Morgan, “Bonfire”

September 6, 2009 Kevin John Coyne 3

Craig MorganIt’s hard to fault Craig Morgan for recording yet another “we’re a bunch of rednecks having a good time” anthem. Such songs have been his bread and butter.

But it’s quite easy to fault him for taking a page from the Jason Aldean playbook and screaming the whole song. Morgan is not a country-rocker, and can’t even pull of being a wannabe country-rocker. His charm has always been his too country twang, a vocal style that you can usually only hear on the bluegrassiest of bluegrass records. When he sings a song like “A Little Bit of Life” or “Redneck Yacht Club”, you can actually hear his big goofy grin.

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Joey + Rory, “To Say Goodbye”

September 6, 2009 Kevin John Coyne 8

Joey RoryIn lesser hands, “To Say Goodbye” could have been hopelessly maudlin. But Joey + Rory deliver a heavy message with a light touch, without any bells and whistles in the production or the vocal. The end result is that the stories of a woman who loses her husband in a plane crash and of a man who tends to his elderly wife who has lost her memory don’t focus on the tragedy. Rather, there’s an emphasis on the quiet emptiness left in the wake of these events.

Both characters have already accepted their difficult circumstances and are beyond the wild pangs of grief. They’ve moved on to simple regret, and are now mourning that they don’t have one more chance to express their love and ongoing devotion to their partner who can no longer receive it. By going the route of understatement, the record leaves us with a far more potent impact that lingers after the last note has played.

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Grammy Wish List

September 1, 2009 Kevin John Coyne 14

brad-paisleyYesterday marked the end of the eligibility period for the 2010 Grammy Awards, which will be presented in January. To accommodate the earlier award ceremony, this year’s period lasted one month shy of a year: October 1, 2008 – August 31, 2009.

It’s been something of an underwhelming year musically from my perspective, but I have a few nominations that I’d like to see:

George Strait

  • Best Male Country Vocal Performance: “El Rey”
  • Best Country Album: Twang

Strait’s been on a roll since It Just Comes Natural, releasing his most consistent string of albums since the mid-nineties trifecta of Easy Come Easy Go, Lead On and Blue Clear Sky. It’s often been said that Strait could sing the phone book and make it sound great, and “El Rey” proved that he’d do just as well with la guía telefónica.

Todd Snider

  • Best Contemporary Folk/Americana Album: The Excitement Plan

This category has been great at acknowledging artists who essentially make acoustic music that isn’t particularly commercial, with previous winners including Nickel Creek and Emmylou Harris. Snider put out one of his strongest albums this year, and he’s long overdue for some Grammy love.

Brad Paisley

  • Best Country Album: American Saturday Night
  • Best Male Country Vocal Performance: “Welcome to the Future”
  • Best Country Instrumental Performance: “Back to the Future”

Paisley has reaffirmed himself as a creative force to be reckoned with and deserves to be amply rewarded with multiple Grammy nominations this year. The rock edge to his token instrumental track is a refreshing new take on his guitar-playing virtuosity.

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Shania Twain Starter Kit

August 30, 2009 Kevin John Coyne 47

shania-twainThere were two solo artists who changed the course of country music history in the nineties. The first was Garth Brooks, who ushered in the boom years with his mega-selling albums No Fences and Ropin’ the Wind. The second was Shania Twain, who permanently altered the female point of view in country music with her mega-selling albums The Woman in Me and Come On Over.

Twain’s debut album was decent enough, with some charming singles like “What Made You Say That” and the Gretchen Peters-penned “Dance With the One That Brought You” being among the highlights. But it was the combination of Twain’s pen and Mutt Lange’s production that made her a superstar. Throughout her career, she’s been a champion of mutual monogamy and carefree independence. She didn’t protest for women to be treated with equality and respect so much as write from the assumption that no other option had ever existed.

In truth, all three of her self-written albums are essential listening, but if none of the 60 million albums that Twain has sold are in your personal collection, here are some tracks to help you get started:

Ten Essential Tracks

“Whose Bed Have Your Boots Been Under?”
From the 1995 album The Woman in Me

For all the heat Twain gets for being too pop, it’s hard to imagine anything this country getting played on even country radio today, let alone pop radio.

“Any Man of Mine”
From the 1995 album The Woman in Me

There were two songs from this album that essentially powered it toward becoming the best-selling female country album up until that point. I’ve always preferred this one over “I’m Outta Here!”

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Martina McBride Starter Kit

August 28, 2009 Kevin John Coyne 17

Martina McBrideShe’s one of the most successful female country artists of the past two decades, and though it was the 2000s that brought her most of her accolades, Martina McBride became a star in the nineties. She also released her strongest music during that decade, and her first three albums remain her strongest efforts to date.

For those of you who know McBride for her AC-flavored work in recent years, you’ll be pleasantly surprised by the diversity of styles she explored early on in her career. Here’s where you should start:

Ten Essential Tracks

“Cheap Whiskey”
From the 1992 album The Time Has Come

It predates her breakthrough hits, but anyone who watched CMT back in the early nineties will remember the powerful video clip that accompanied McBride’s stone-countriest performance.

“My Baby Loves Me”
From the 1993 album The Way That I Am

It took this song 20 weeks to reach the #2 position, a glacial pace back in 1993. But the “Born in The U.S.A.”-borrowed power chords still sound cool today, so it’s no surprise that this was a big hit.

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Sugarland, Live on the Inside

August 27, 2009 Kevin John Coyne 12

SugarlandSugarland
Live On the Inside

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Sugarland has gone ahead and brought back the bootleg.

Their latest release is a CD and DVD combo that captures the essence of their live performances in two different ways. The DVD goes the conventional route, capturing one concert from start to finish in Lexington, Kentucky. The duo performs nearly all of their hits, and it’s a show with very little filler. They’ve had quite a few hits over the past few years, and they’ve held up well.

Sure, there are few of them that pack the punch of “Something More” or “Stay”, but they do their best to keep the older material fresh by updating the arrangements, and their unlimited and contagious enthusiasm for being on stage makes even the trite ones like “Settlin'” and “All I Want to Do” quite entertaining.

They make a darn good case for another Entertainer of the Year nomination. There are so few country artists who are able to radiate joy from the stage, and those that can do it end up with the audience in the palm of their hand, willing to do even ridiculous things like blow bubbles or sing a song about a drunk driving death in perfect unison.

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Country Music Firsts

August 24, 2009 Kevin John Coyne 40

pamtillisOur readers have clearly responded well to our Back to the Nineties features this month. (Fret not, there are more on the way.) Part of the reason is that so many of you, like myself and Leeann, first discovered country music in that decade.

This isn’t too surprising, as the nineties helped establish country music as a genre with widespread appeal. The suburbanization of once-rural America reached its apex, and at the same time, CMT deeply penetrated the cable market. For you newbies, the channel was 24-hour videos back then, with remarkably democratic video rotation.

A clip in heavy rotation would only be seen two more times a day than one in light rotation. This is the reason both Mutt Lange and Sean Penn discovered Shania Twain through her “What Made You Say That” clip, which was played extensively on the channel despite the song stalling at #55 at radio.

The New York country radio station back then would do a “Country Convert” feature every morning. A radio listener would call in and say what song converted them to country music. Newbies to country music back then had a religious zeal to them, and would work very hard trying to convince others to fall in love with the music.

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