Kevin John Coyne – Page 130 – Country Universe

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[ May 13, 2025 ] Every No. 1 Single of the 2000s: Blake Shelton, “Austin” 2001
[ May 13, 2025 ] Every No. 1 Single of the Seventies: Lynn Anderson, “You’re My Man” 1971
[ May 12, 2025 ] Album Review Roundup: Vol. 1, No. 17 Album Reviews
[ May 11, 2025 ] Single Review Roundup: May 11, 2025 Single Review Roundup
[ May 11, 2025 ] Every No. 1 Single of the 2000s: Lonestar, “I’m Already There” 2001
[ May 11, 2025 ] Every No. 1 Single of the Seventies: Ray Price, “I Won’t Mention it Again” 1971
[ May 10, 2025 ] Every No. 1 Single of the 2000s: Tim McGraw, “Grown Men Don’t Cry” 2001

Single Review: Lily Rose, “Villain”

February 7, 2021 Kevin John Coyne 3

Poor production choices are the real villain here.

Single Review: Dan + Shay, “Glad You Exist”

February 7, 2021 Kevin John Coyne 3

This has nothing to do with country music.

Album Review: Morgan Wallen, Dangerous: The Double Album

February 3, 2021 Kevin John Coyne 22

The founding editor’s take on the latest from Morgan Wallen.

CU Archives – Forgotten Misses: Merle Haggard, “In My Next Life”

January 29, 2021 Kevin John Coyne 5

A decade-old look at a should’ve been hit.

Single Review: Eric Church, “Hell of a View”

January 29, 2021 Kevin John Coyne 2

Is it legal these days for a country song to celebrate leaving a small town?

Single Review: Jimmie Allen and Brad Paisley, “Freedom Was a Highway”

January 29, 2021 Kevin John Coyne 4

An unmitigated disaster.

Single Review: Luke Combs, “Better Together”

January 28, 2021 Kevin John Coyne 2

“Better Together” would be better together with fiddle and steel.

Single Review: Kane Brown, “Worship You”

January 28, 2021 Kevin John Coyne 7

Kane Brown’s “Worship You” is a heartwarming ballad with genuine emotion.

Single Review: Tim McGraw and Tyler Hubbard, “Undivided”

January 26, 2021 Kevin John Coyne 6

Three minutes of sparkling sincerity.

Single Review: Blake Shelton, “Minimum Wage”

January 26, 2021 Kevin John Coyne 6

Blake Shelton’s latest would be better if it was produced with the radio instead of the arena in mind.

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