“So You Don’t Have to Love Me Anymore”
Alan Jackson
Written by Jay Knowles and Adam Wright
2012
When the nineties country explosion happened, many established veteran artists were exiled from country radio to make way for the new generation of artists who were so popular with the new fan base.
The best of those veteran artists – Johnny Cash, Merle Haggard, Emmylou Harris, Willie Nelson – released albums that were as creatively triumphant as any of their previous work. As we entered the second decade of the new century, those once young nineties acts were losing their slots at radio. Could they rise to the creative challenge of their predecessors and still make compelling music in the autumns of their recording careers?
“Yes,” answered Alan Jackson in 2012, emphatically making his point with one of the best singles of his illustrious career. Jackson could credibly be mentioned in the same breath as Haggard by this point, with an ability to interpret songs so well that it sounded like he wrote them. He found a devastating piece of songwriting in “So You Don’t Have to Love Me Anymore,” and his skillful phrasing made it even more impactful , bringing nuanced emotions to the surface with unexpected line deliveries.
It contains an all timer of a twist in the bridge that helps make it a record for the ages. After establishing his selflessness toward his departing lover by giving her the one things she wants – control of the narrative – he turns the knife that had been there from the start but gone unnoticed: “If the wine you’re drinking leads you to thinking that you want what we had before. Girl, you can call me. I’ll let it ring and ring, so you don’t have to love me anymore.”
The victory he hands her is Pyrrhic, giving her everything she wants but cutting her off from ever reconciling with him again. The world will think she won, but they will both know that she lost, and her impending mental torture over that gives him just a drop of cruel satisfaction. Once you hear that bridge for the firs time, you’ll hear that it was there from the beginning of the record all along, slowly surfacing with every seemingly selfless line.
The Grammys were wise enough to nominate this for Best Country Song, and it would ultimately become Jackson’s final top thirty solo hit, though he did return to No. 1 with the all star collaboration record, “Forever Country.” Jackson released a few more gems in the years that followed. A selection of the best are shared below.
Additional Listening:
More should’ve been hits from Alan Jackson
- “You Go Your Way”
- “Blue Ridge Mountain Song”
- “The Older I Get”
Country Universe: A 20th Anniversary Retrospective
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