Phillip Lammonds and Ruth Moody provide this week’s high points.
Lily Rose
Runnin’ Outta Time [EP]
Difficult to separate her problematic statements at the CRS panel from the mainstream-pandering quality of the material here: This all tries a bit too hard for a type of acceptance that is unlikely, however talented Rose absolutely is.
Kim Richey
Every New Beginning
One of the very best ever to do the thing, she remains a songwriter of uncommon empathy and wit and a singer of clarity and nuance. Those virtues are all present here; the production wants for a bit more variety and heft, but Richey’s gifts shine more often than not.
Connie Smith
Love Prison Wisdom and Heartaches
Perfectly produced re-recordings of hits and deep cuts from her catalog make this is a thoughtfully curated set. The selling point is the absurdity of how her voice sounds. Her power and phrasing have barely diminished; she puts on a vocal masterclass here.
Phillip Lammonds
Cowboy Things
Songwriters’ songwriter mines his own back catalog and enlists some famous friends (Rucker! Pickler!! Tillis!!!) for a long, long-overdue debut record, and it’s a real winner. Accessible but still unfussy arrangements highlight the strengths of his narratives.
The Coal Men
Everett
The vibe here is a slightly twangy version of early Black Keys, and I am not immune to the specific charms of that exact thing. Revelatory? Not at all, but the arrangements are super sturdy and the songs are well constructed.
Iron & Wine
Light Verse
The production here is much noisier than his norm, and that only intermittently serves these songs well. Tremendous stuff when it does hit– the Fiona Apple collab and opener (“You Never Know”) are both highlights– but the messiness doesn’t truly become him.
Pokey LaFarge
Rhumba Country
A major talent, yes, but this particular record leans way, way too hard into schtick. It’s an enjoyable enough listen with some cleverly-turned phrases and lively arrangements, but the seams in his cosplay start to show when you look closer.
Ruth Moody
Wanderer
Absolutely lovely, as her work always is. The restlessness of her narratives is reflected in melodies that amble and take unexpected turns, and her vocal tone is just stunning. A fine example of contemporary Americana.
What did Lily Rose say at CRS?
Our pal Rachel Cholst of Rainbow Rodeo covered the CRS panel here: https://rainbowrodeomag.com/gay-does-belong-in-front-of-country-music-actually-a-report-from-crs-2024/
Kellie Pickler is on Phillips’ album? Is she not credited?
She does the harmony vox on “Supposed to Fall in Love,” but it’s not credited as a duet!