Aaron Watson The Underdog The narrative surrounding Aaron Watson’s The Underdog makes it an album that is easy to root for: Buoyed by more than a decade of goodwill and fan support and a deft
“Love Me Like You Mean It” Kelsea Ballerini Written by Kelsea Ballerini, Lance Carpenter, Josh Kerr, and Forest Glen Whitehead This sounds like a demo recording for a Taylor Swift album that will never be
The Mavericks Mono For all of their commercial successes and industry recognition, The Mavericks were never a band that bowed to popular trends in country music. On Mono, the second album of their full-fledged revival,
Gretchen Peters Blackbirds More so than her artfully-turned phrases and her novel, evocative imagery, perhaps Gretchen Peters’ greatest gift as a songwriter is her mastery of perspective. Peters’ ability to shift her narrative voice to
“Hangover Tonight” Gary Allan Written by Gary Allan, Cary Barlowe, Jesse Frasure, and Chris Stapleton With its play on the word “hangover” and its playful production, Allan’s latest single has a happy and silly vibe
“Kiss You in the Morning” Michael Ray Written by Larry Michael White and Justin Tyler Wilson Launching a new artist with this generic a single does a tremendous disservice to their budding career. “Kiss You
Shania Twain is returning to the road for the first time in more than a decade, and she’s calling it her farewell tour. Well, technically, she’s calling it the Rock This Country tour, but it’s
“Long Stretch of Love” Lady Antebellum Written by David Haywood, Josh Kear, Charles Kelley, and Hillary Scott A woefully anemic rocker. Lady Antebellum have never exactly been known for over-the-top emoting, but this might be
“Sippin’ on Fire” Florida Georgia Line Written by Rodney Clawson, Matt Dragstrem, and Cole Taylor There isn’t much logic in hoping for a successful act to abandon the formula that has gotten them where they
“Games” Luke Bryan Written by Luke Bryan and Ashley Gorley Luke Bryan’s latest (and apparently final) Spring Break compilation is being promoted with the new single, “Games.” Thematically, it doesn’t connect much to the Spring