Country Universe Talks with James House

England swings, or at least it did back in Roger Miller’s day. Nowadays, England is more likely to line dance, which helped an album from one of Nashville’s top singer-songwriters become a hit – almost 20 years after it was released.

To back up a bit: in the late ‘80s and early ‘90s, country music was in a creative boom era, and James House was one of the reasons. His two albums on MCA Records (James House, Hard Times for An Honest Man) and one for Epic (Days Gone By) are all top-quality affairs that featured his distinctive voice and excellent songwriting chops. While he only had one Top 10 hit — “This Is Me Missing You” — he garnered airplay with several singles. House’s real success, though, came as a songwriter, as he penned hits for the likes of Dwight Yoakam, Martina McBride and other artists.

Those three albums really deserved a wider audience, and even today, they are well worth acquiring should you ever stumble across a copy. Days Gone By, though, ended up enjoying a renaissance in England last year, where it spawned three hit singles and coaxed House back into the recording studio for a new album and an overseas tour. Not bad for an album that was released in 1995.

“The way this all got started is that country line dance and line dancing in general is generated by the choreographers,” House says. “A choreographer there by the name of Yvonne Anderson had my records for a long, long time. She said that something happened in her life, and she was listening to “This Is Me Missing You,” and something struck her to make a line dance for it.”

The dance and the song took off, and it was soon followed by“Little by Little” and “A Good Way to Wind Up Lonesome,” also from the Days Gone By album. By July 2013, House was a major hitmaker in England. He didn’t find out about it until November.

“A fan said, ‘Do you realize that “This Is Me Missing You” is #1 on the Country Dance charts?’” he recalls. “My immediate reaction was, ‘Great, who cut it?’ and the e-mail came back that said, ‘No, it’s your actual record.’”

House had toured England as an opening act for Randy Travis in the early ‘90s, and that was his only substantial time there as a country singer. After doing a little research and talking to the magazine that ran the charts, he began putting feelers out for a trip overseas for a promotional tour. That quickly snowballed into a full-fledged tour of England, with 19 shows in July and August that are sold out or are quickly approaching that level.

House also decided to put together a new album. Broken Glass Twisted Steel, released April 29, is his first solo release on his own record label, Victor House Records. Earlier this year, he released a blues-rock record for the Troubador Kings, a side project where he sings and plays lead guitar.

Broken Glass makes for a pretty comprehensive James House primer. Three of the 11 tracks are his versions of #1 hits he wrote: “In a Week or Two” by Diamond Rio, “Ain’t That Lonely Yet” by Yoakam, and “A Broken Wing” by McBride.

“Then there was a song, “Here’s to You,” that I cut in 1990, and I never felt like I nailed it,” he adds. “So I recut that and was really happy with how that came out. The rest is new stuff.”

“King of Nothing” was something that he had written with the Warren Brothers in the late ‘90s and sang live for years. He recorded that song on the advice of his wife. The rest of the album came together after pouring through his catalog for songs he liked. The first single, “Every Time It Rains,” was rediscovered in the process.

“I wrote it about six or eight months ago with Michael Bradford, who played bass and co-produced the record with me. I had forgotten all about it,” House says. “I had never turned it into my publisher for some reason. I probably just demoed it and stuck it in a drawer somewhere. When we recorded it, it just had that feel that it might want to be played over and over. Hopefully everybody will feel the same about it.”

Despite the 20-year gap in House’s recording career (he has recorded new music periodically), Broken Glass fits in quite nicely with his previous work. His earlier albums never tried to keep up with the production trends of the era, which is probably why don’t sound dated today. Broken Glass is unmistakably country, albeit with a rock edge, and House’s new songs aren’t limited to the typical topics found in today’s country music.

“I was thinking about the album and how there are no trucks on it,” House says. “Love songs to me are timeless, and there are people doing pickup truck songs so much better than me.

Besides, “I like muscle cars, so if I’m going to write about a car, it’s going to be a Chevy Malibu or something,” he adds.

House’s upcoming tour through England appears to be just the start of a busy time for him. He’s working on a U.S. tour now, and he recently made his debut on the Grand Ole Opry.

“I’m looking forward to it,” he says of his touring plans. “I’m getting e-mails all the time from the promoter saying that shows have sold out. It’s a blessing to have this much excitement about it. And at this stage to have it happen, I’m grateful.”