This year’s ACM Awards were mediocre and broverwhemingly male-centric, despite women winning most of the major awards. As with last fall’s CMA show, the best moment was the final one, when George Strait won Entertainer of the Year.
Here’s a rundown of all the major winners:
Entertainer of the Year
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Luke Bryan
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Miranda Lambert
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Blake Shelton
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George Strait
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Taylor Swift
George Strait winning at the ACMs this year was even more surprising than at the CMAs last year, given how the fan-voted element of this award has favored stars with young fanbases in previous years. King George, indeed. – KJC
While it’s disheartening to see Strait’s mainstream support dwindling, it’s great to see the fans come through for King George. – BF
Even if Strait did unintentionally but hilariously leave Miranda Lambert hanging on her attempted hi-five, it was nice to see the genuine support for Strait’s win among the other artists in attendance. Too bad radio seems to have turned their back on him. – JK
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Jason Aldean
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Lee Brice
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Luke Bryan
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Blake Shelton
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Keith Urban
A repeat win for Jason Aldean helped both hosts go home empty handed, despite the big years both Bryan and Shelton had. – KJC
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Sheryl Crow
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Miranda Lambert
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Kacey Musgraves
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Taylor Swift
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Carrie Underwood
Has there ever been a female vocalist that the ACMs loved more? Lambert’s fifth consecutive victory snaps Reba McEntire’s four in a row from 1985-1988, though she’d return to the winner’s circle three more times in the nineties. But even McEntire didn’t dominate the other categories the way Lambert’s been doing. – KJC
Lambert officially owns this category for a half-decade. Can we please get a shake-up in the Female Vocalist race next year? – BF
As I said on twitter: If she’s in the building, Trisha Yearwood is the Best Female Vocalist (unless Connie Smith is also in the building, in which case Trisha would be runner-up). End of discussion. – JK
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Big & Rich
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Dan + Shay
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Florida Georgia Line
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Love and Theft
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Thompson Square
Florida Georgia Line had the biggest year – actually, the only big year – of all the nominees, making their victory the least surprising win of the night. – KJC
Congratulations to Florida Georgia Line on their win for (Only Significantly Successful) Vocal Duo of the Year. – BF
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Eli Young Band
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Lady Antebellum
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Little Big Town
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The Band Perry
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Zac Brown Band
The Band Perry won their first Vocal Group award, with all the votes in before a confetti backlash was able to sway the tally. – KJC
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Brett Eldredge
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Justin Moore
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Kip Moore
Two Moores and a Brett walk into an ACM ceremony… – KJC
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Blake Shelton, Based on a True Story…
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Luke Bryan, Crash My Party
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Florida Georgia Line, Here’s to the Good Times
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Kacey Musgraves, Same Trailer Different Park
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Tim McGraw, Two Lanes of Freedom
With the Grammys picking Musgraves and the CMAs picking Shelton, the ACMs broke the tie, picking the best album over the biggest. Good call. – KJC
Musgraves’ well-deserved victory restores some ACM credibility, though it is ironic that she was the only nominee whom the producers did not grant a performance slot. – BF
She won for Album of the Year and co-wrote the winner of Single of the Year, so we can’t necessarily blame the ACM voters for Musgraves’ lack of a performance: Clearly, the producers of the show had adopted an ethos of “Bros Before Women Who Make Good Music.” – JK
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Florida Georgia Line, “Cruise”
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Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”
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Lee Brice, “I Drive Your Truck”
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Miranda Lambert, “Mama’s Broken Heart”
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Darius Rucker featuring Lady Antebellum, “Wagon Wheel”
True, a Song of the Year victory would’ve been sweeter. But Lambert’s single was still the best of the five, and gave her a third win in this category in four years. That feat was last accomplished by Willie Nelson, who picked up three in four years back in the eighties, for “Always on My Mind”, “To All the Girls I’ve Loved Before”, and “The Highwayman.” – KJC
The “Cruise” phenomenon promised to be hard to beat, but fortunately the voters chose to honor the best record over the biggest. – BF
I really wouldn’t have any reservations at all with Miranda having won this category three times for “Kerosene,” “Gunpowder and Lead,” and “The House That Built Me.” Hers was easily the best nominee of this line-up, though. – JK
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“Every Storm (Runs Out of Rain)” – Gary Allan, Hillary Lindsey, Matthew Warren
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“I Drive Your Truck” – Jessi Alexander, Connie Harrington, Jimmy Yeary
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“Mama’s Broken Heart” – Brandy Clark, Shane McAnally, Kacey Musgraves
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“Mine Would Be You” – Jessi Alexander, Connie Harrington, Deric Ruttan
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“Wagon Wheel” – Bob Dylan, Ketch Secor
With Grammy winner “Merry Go ‘Round” not in the running, the ACM chose to honor last fall’s CMA winner, “I Drive Your Truck.” – KJC
Props to Lee Brice for letting the songwriters have the spotlight for this win. Considering the Song of the Year award purports to honor the year’s best songwriting, it’s been disconcerting that recent years have seen the ACMs shifting the focus from the songwriters to the artists. – BF
Of note: Women won for Album of the Year, Single of the Year, and were two of the three co-writers of the Song of the Year. Yet the genre’s regressive gender politics are as problematic right now as at any point in recent memory. When will we reach a true tipping point with this? – JK
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The Band Perry, “Better Dig Two”
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Kacey Musgraves, “Blowin’ Smoke”
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Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”
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Lee Brice, “I Drive Your Truck”
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Miranda Lambert, “Mama’s Broken Heart”
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Carrie Underwood, “Two Black Cadillacs”
The high-octane collaboration between these three superstars earned several nominations, but their only win came in this category. – KJC
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Blake Shelton featuring Pistol Annies and Friends, “Boys ‘Round Here”
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Florida Georgia Line featuring Nelly, “Cruise” (Remix)
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Tim McGraw featuring Taylor Swift and Keith Urban, “Highway Don’t Care”
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Darius Rucker featuring Lady Antebellum, “Wagon Wheel”
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Keith Urban and Miranda Lambert, “We Were Us”
Betting against Miranda Lambert at the ACM Awards is starting to look like a fool’s wager. This is her first win in this category, and with the other awards she won last night, her total ACM count is now at fifteen. – KJC
Noting Ben’s observation that the only nominee for album not given a performance slot was Kacey Musgraves, can we conclude that the country music powers that be are waging their own “war on women”? My favorite country album of 2013 is Brandy Clark’s “12 Stories”. Did it fail to get a nomination due to lack of sales? lack of a successful single? I think it’s far superior to the 4 male nominees for album.
I liked JK’s comment on Trisha. As I comment, I’m listening to her HHPL cd. My wife didn’t think much of her cook books, but we love her music.
I think if the country music powers were waging a “war on women”, Musgraves’ record wouldn’t have received a nomination, much less a victory.
The number of females who performed this year on the ACMs indicate that theres a “war on women” These are the women who performed, including those part of groups/duets
Kimberly Perry (The Band Perry)
Gwen Sebastian [duet w/ Blake Shelton]
Shakira [duet w/ Blake Shelton]
Hillary Scott (Lady Antebellum)
Miranda Lambert
Faith Hill [duet w/ Tim McGraw]
Hillary Scott (Lady Antebellum) [duet w/ Darius Rucker]
Miranda Lambert [duet w/ George Strait]
Sheryl Crow [duet with Dierks Bentley]
That is 9/24 female who were part of performances for the evening, including those part of groups. The only female who performed solo was Miranda.
I missed the live feed for comments Sunday night!
I really feel like Carrie Underwood should have won SOMETHING. I am glad that George won Entertainer, though.
Nobody tried the line for the best new artist: We have Brett Eldredge and some Moore.
I’m a little disappointed that “Wagon Wheel” ddint win for something, like Single of the year over “Mama’s Broken Heart”, and I too wouldve liked to see Kacey actually peform.
I am over FGL..they’re good but not great.