For the second year, Country Universe is publishing a 40-deep list of the year’s best albums. Part One includes releases from talented newcomers, genre legends, and quite a few entries from the outskirts of country music. As usual, that’s where most of the cool stuff can be found.
Country Universe will close out our year with the conclusion of this list tomorrow. As always, share your thoughts and opinions in the comments!
#40
Ventucky
Dan Grimm
Individual rankings: #12 – Jonathan
The EP format doesn’t leave much margin for error, but with a knack for unconventional imagery and a style that blends vintage SoCal rock with authentic honky-tonk, Dan Grimm ensures that every track on his freewheeling, endlessly likable Ventucky is a standout. – Jonathan Keefe
Recommended Tracks: “Skeletor,” “300 Beers”
#39
Magpie and the Dandelion
The Avett Brothers
Individual rankings: #12 – Sam
Since moving up to a major label, the Avetts’ album releases have strayed further and further away from their ragged-but-right indie albums. There aren’t as many reckless moments, though “Another Is Waiting” and “Open Ended Life” come close. The trade is that their slower, introspective songs are increasingly sophisticated. “Good to You” is beautifully written, and Bob Crawford’s rare vocals are a dagger to the heart for any dads who spend too much time traveling. – Sam Gazdziak
Recommended Tracks: “Good to You”, “Another is Waiting”, “Morning Song”
#38
Love’s Truck Stop
Matraca Berg
Individual rankings: #11 – Kevin
Originally released in Europe last year, Matraca Berg’s latest collection builds on the strength of 2011’s Dreaming Fields. She embodies the characters of her song so fully that she allows you to walk as easily in the shoes of a truck stop waitress as those of a grieving, abused daughter clutching flowers at her father’s graveside. Her vulnerable vocals shine best on “My Heart Will Never Break This Way Again”, which was sung by Patty Loveless many years ago. – Kevin Coyne
Recommended Tracks: “Her Name is Mary”, “Fistful of Roses”, “My Heart Will Never Break This Way Again”
#37
Feels Like Home
Sheryl Crow
Individual rankings: #11 – Leeann
It was inevitable that Sheryl Crow would eventually make a country album, since she’s dabbled in it over the years on various tribute projects and has collaborated with country stalwarts like Willie Nelson and Vince Gill, not to mention that even her pop albums have had elements of country in them. So, Feels Like Home seems appropriate for the title of her first official country record.
While certainly not a traditional country record, as I had personally hoped it would be, Crow is instead authentic to her way of doing things, while also being able to draw from the good parts of the modern sounds and styles of country music. – Leeann Ward
Recommended Tracks: “We Oughta Be Drinkin'”, “Stay at Home Mother”
#36
They Called it Music
The Gibson Brothers
Individual rankings: #11 – Ben
On the title track of They Called it Music, IBMA Entertainers of the Year Leigh and Eric Gibson pine for the days when music was honest, simple, and “helped the hard times heal” – when it was a medium of art and self-expression rather than a mere moneymaker. Whether lighthearted (“Buy a Ring, Find a Preacher”), melancholy (“Dying for Someone to Live For”) or introspective (“Something Coming to Me”), the entire album is a beautiful realization of that very standard. – Ben Foster
Recommended Tracks: “Buy a Ring, Find a Preacher,” “They Called It Music,” “Something Coming to Me”
#35
Studebaker
Mando Saenz
Individual rankings: Sam – #11
The third album from Texas-raised, Nashville resident Saenz is the most eclectic and best of his career. While the focus is still on his sharp songwriting skills, the mood varies from introspective to rocking to, on “Tall Grass,” downright playful. Saenz collaborated with an A-list batch of co-writers, including Kim Richey for “Break Away Speed” and Wade Bowen for “Bottle into Gold,” and the mix of songs with Saenz’s pleasant vocals and a hot band is a winning combination. – Sam Gazdziak
Recommended Tracks: “Break Away Speed”, “Bottle into Gold”, “Pocket Change”
#34
Build Me Up from Bones
Sarah Jarosz
Individual rankings: #17 – Jonathan; #19 – Ben
On her third album, Build Me Up from Bones, Sarah Jarosz found her voice as both a singer and a songwriter. Her sense of phrasing draws from both her expansive knowledge of contemporary folk and her conservatory training in improvisation, and sharply observed original songs like “Gone Too Soon” and “1000 Things” more than hold their own alongside Joanna Newsom and Bob Dylan covers. – Jonathan Keefe
Recommended Tracks: “Over the Edge,” “Build Me Up from Bones,” “1000 Things”
#33
Opening Day
Peter Cooper
Individual rankings: #16 – Leeann; #18 – Sam
eter Cooper’s second album was entitled after the great pedal steel guitar player, Lloyd Green. While Opening Day is not named after him, Green is still the other star player on Cooper’s third stellar solo album. Along with Green’s prominent steel and cooper’s own emotionally conversational voice, Cooper once again proves that he is as an adept songwriter as he is a journalist. Themes of living life well, baseball (Of course!), and even drone strikes. Each of these songs with its various themes are all presented with either insight or witty humor and sometimes both. – Leeann Ward
Recommended Tracks: “Much Better Now”, “Quiet Little War”
#32
Holly Grove
The Whiskey Gentry
Individual rankings: #8 – Sam
It’s hard to say if The Whiskey Gentry will be the next big thing to come out of Georgia, but they have the talent to spare. The band mixes in bluegrass, country, a bit of Celtic and a dash of punk rock, resulting in a high-energy, hard-to-classify sound. “I Ain’t Nothing” and “Dixie” wouldn’t sound out of place in a honky tonk, while “Colly Davis” is a bluegrass-on-amphetamines winner. The title track is a four-and-a-half minute epic that was one of the most moving songs of the year. – Sam Gazdziak
Recommended Tracks: “Holly Grove”, “Particles”, “I Ain’t Nothing”
#31
When We Fall
Rebecca Frazier
Individual rankings: Ben – #7
Rebecca Frazier is a genuine triple threat – a great picker, a great singer, and a great songwriter. She shows that she can throw it down with the best of them on “Ain’t Gonna Work Tomorrow” as well as a trio of stellar instrumental tracks, while her delivery of ballads such as the deeply personal “Babe in Arms” resounds with humanity and vulnerability, the result being one of the year’s finest bluegrass albums. – Ben Foster
Recommended Tracks: “When We Fall,” “Ain’t Gonna Work Tomorrow,” “Babe in Arms”
#30
Not Cool
Tim Easton
Individual rankings: #7 – Jonathan
Even if its self-deprecating title isn’t at all accurate, singer-songwriter Tim Easton’s Not Cool proves that, despite the glut of counter-evidence 2013 presented, it’s still possible to incorporate a heavy rock influence into folk and country styles without sacrificing wit, craft, or genre know-how. Spirited, ramshackle cuts like “Lickety Split” and “Crazy Motherfucker from Shelby, OH” make the underrated Easton’s seventh outing one of the year’s most raucous and, yes, coolest albums. – Jonathan Keefe
Recommended Tracks: “Troubled Times,” “Lickety Split,” “They Will Bury You”
#29
Wheelhouse
Brad Paisley
Individual rankings: Sam – #7
Did you know that Brad Paisley released one of the best albums of his career this year? The humorous songs, like “Harvey Bodine” and “Death of a Single Man,” stayed humorous after multiple listenings, and unlike most other country singers, Paisley blended in pop elements, like sampling Roger Miller in “Outstanding in Our Field,” and did it without turning them into pop or rock songs with token country elements. “Southern Comfort Zone” and “Those Crazy Christians” showed more depth than their titles would suggest. And all anyone wanted to talk about was that damn “Accidental Racist” song. – Sam Gazdziak
Recommended Tracks: “Southern Comfort Zone”, “Beat This Summer”, “Death of a Single Man”
#28
In the Throes
John Moreland
Individual rankings: #6 – Jonathan
A difficult meditation on what happens when one has experienced losses of love and faith, John Moreland’s In the Throes is a testament to the redemptive power of music. He may sing, “Nobody Gives a Damn About Songs Anymore,” on the album’s most keenly observed song, but Moreland’s spectacular songwriting is something everyone should hear. – Jonathan Keefe
Recommended Tracks: “Nobody Gives a Damn About Songs Anymore,” “Break My Heart Sweetly,” “Blues & Kudzu”
#27
Dos Divas
Lorrie Morgan & Pam Tillis
Individual rankings: #13 – Kevin; #16 – Ben
A lively and entertaining collaboration between two nineties, second-generation country stars. The album features six full collaborations, along with four solo tracks from each artist. The pairings are funny and loose, recalling the best of those old-school duet albums from the sixties and seventies. But the biggest surprise is in the solo turns by Lorrie Morgan, who turns in some of her strongest moments ever put down to tape. – Kevin Coyne
Recommended Tracks: “Last Night’s Makeup”, “Next Time it Rains”, “I Know What You Did Last Night”
#26
Good Wine and Bad Decisions
Julie Roberts
Individual rankings: #13 – Ben; #16 – Tara
Roberts’ comeback album is best approached with an aching heart and a glass of something smooth – all the better to absorb its combo of earthy blues and provoking, damn-that’s-depressing stories. But don’t mistake Good Wine and Bad Decisions for a downer; Roberts lures you into her dark places with such emotional gusto and groovy, engaging vibes that you somehow end up celebrating in misery. – Tara Seetharam
Recommended Tracks: “Arms of Jesus,” “He Made a Woman Out of Me,” “Bones,” “Old Strings”
#25
Finally Home
Blue Sky Riders
Individual rankings: #4 – Dan
With their considerable powers combined, Georgia Middleman, Gary Burr, and Kenny Loggins (Kenny Loggins!) produce the year’s most relentlessly positive LP. No time for cynics here; this is distilled country-poptimism, a set of songs that could easily soundtrack a self-help seminar (“Just Say Yes”! “How About Now”!) and like it that way, thanks. And are you gonna complain? The songs are so catchy, you will help yourself. – Dan Milliken
Recommended Tracks: “Little Victories”, “Just Say Yes”, “How About Now”
#24
To All the Girls…
Willie Nelson
Individual rankings: #12 – Tara; #15 – Leeann
Only Nelson could create an album akin to a mug of hot chocolate on a lazy Sunday afternoon that still feels elegant and impeccably thought-out. There’s no doubt he was tickled to record with all 18 female acts, from current stars to genre darlings to his own family, and it shows. He plays to each of her strengths with grace – stepping back in “Grandma’s Hands” to let Mavis Staples take it to church, standing quietly still in “Always On My Mind” so Carrie Underwood can inhabit the classic, waltzing right alongside Norah Jones in “Walkin.” It’s all comfort food, to be sure, but comfort food of the classiest, most tasteful order. – Tara Seetharam
Recommended Tracks: “Far Away Places,” “Please Don’t Tell Me How the Story Ends,” “Grandma’s Hands,” “Have You Ever Seen the Rain?”
#23
Thorn in My Heart
Kim Richey
Individual rankings: #15 – Kevin; #18 – Ben; #19 – Tara
Built around full-bodied melodies, subtle yet evocative arrangements, and authoritative vocal performances, Thorn in My Heart is another excellent collection of mature, compelling roots country songs by one of the genre’s most underrated singer-songwriters. – Ben Foster
Recommended Tracks: “Thorn in My Heart,” “London Town,” “Breakaway Speed”
#22
Massachusetts
Lori McKenna
Individual rankings: #3 – Kevin
Whereas the previous, excellent Lorraine dealt heavily in the themes of loss and grief, the finest moments on McKenna’s latest collection surround matters of the heart. McKenna captures the quiet desperation just under the surface of life’s mundanity better than any writer today. – Kevin Coyne
Recommended Tracks: “Shake”, “Salt”, “Smaller and Smaller”
#21
The Stand-In
Caitlin Rose
Individual rankings: #10 – Dan; #11 – Jonathan
Liz Rose’s daughter once again proves her family can school yours all day long, with a sophomore set of songs every bit as sharp as her debut. Her soft, demure singing style belies her ability to slip powerful blows—whether aimed at others or herself—into a song. Call her Nashville’s ninja. – Dan Milliken
Recommended Tracks: “I Was Cruel”, “Silver Sings”, “Menagerie”
Country Universe’s Best of 2013:
- Best Albums of 2013, Part One: #40-#21
- Best Albums of 2013, Part Two: #20-#1
- Best Singles of 2013, Part One: #40-#21
- Best Singles of 2013, Part Two: #20-#1
Laura Bell Bundy came back this year? The last I heard from her was Giddy on Up, which I thought was a fun song. Evidently I did a google search for this song and ended up getting a free download. It sounds pretty much like the Gaga Version, with a slight country twang in there. Of course this was probably my favorite song on The Born This Way Album so I enjoyed LBB’s take on it.
And of course I posted in the wrong thread. Apologies. I meant to post that in the singles thread.
The John Moreland album is simply a phenomenal piece of songwriting. Every song is amazing, but my favorites are “Blacklist” and “3:59 AM.” Love that Caitlin Rose album, too. Such a great year for songwriters.
I was disappointed Paisley’s album didn’t get more attention than it did for things not involving LL Cool J. Brad finally started taking some chances again with his music and while not all of them work, the overall end result was his most interesting album in several years.
^ Ditto what Andrew said above about Paisley’s album. He deserves more credit for an adventurous set of songs that, in my opinion, hit more often than they miss.
Also, these year end lists always lead me to spending a portion of my Christmas money. It is a testament to how much I value and rely upon sites like Country Universe when it comes to finding good music.
My favorite album of the year is “Finally Home” by Blue Sky Riders. Since we’re retired, most mornings my wife and I play music for about 2 hours. This album has easily been played over 100 times this year. Gary and Georgia have to be two of the most underrated vocalists. One reviewer earlier this year wrote that Finally Home “features brilliant three part harmonies and the rare combination of all three musicians sharing lead vocals without anyone taking the dominant role as the leader.”
Quite a few of the other albums here I’m not familiar with but I’ll have to check out Kim and Matraca.
An album that won’t appear on any lists in the U.S. that I would recommend is “One + One” from O’Shea, an Aussie pop country husband and wife duo. Saw them about 6 months ago.
I’m glad that Caitlin Rose’s album The Stand-In was included in this year’s Top 40 list, because it was my pick for Album Of The Year overall for 2013, regardless of gender or genre. Besides the songs on the album that were mentioned, I’d like to throw in another track from it–“Golden Boy”, which seems very much influenced by one of Caitlin’s big heroes, Linda Ronstadt.