It’s been thirty years since the world was introduced to the voice of Wynonna Judd, a simple guitar strum being nothing close to enough preparation for the otherworldly voice that opened the debut Judds single, “Had a Dream (For the Heart)”:
httpv://www.youtube.com/watch?v=1WRepFD9Mys
Thirty years later, after about a decade of Judds music and another two decades of solo work, that voice is still that voice. Wynonna has the ability to harness a true force of nature, having incredible depth and soul that remains under her complete control.
Less under control is her firebrand personality, an increasingly dramatic public image that has been overshadowing her music in recent years, but that’s mostly because she hasn’t been making nearly enough music. Really, once she sings two or three notes, who really cares about her public image?
But what happens when that image starts to dictate the music? What happens when producers convince themselves that they have to be
just as loud and dazzling as the lady behind the mic?
“Something You Can’t Live Without” is what happens.
You’ve got Wynonna singing a great song that clearly means a lot to her. She turns in a ferocious performance. All the musicians need to do is give her a bit of support while mostly staying out of her way.
Instead, not only is the backing music way too loud, there is a cardinal sin committed that is simply unforgivable. They actually put a digital effect on her voice.
You do that for bad singers. You do that for mediocre singers. Sometimes, you even do that for good singers. But to do it to one of the strongest vocalists popular music has ever seen is an insult.
I really like this record overall, simply because I can hear all that great Wynonna underneath the muck. But much like those synthesizer-drenched Dolly Parton songs from the eighties, it’s just bewildering that the muck is there in the first place.
Such natural, God-given talent needs organic music to back her up. I don’t care if it’s Memphis blues instead of Nashville country. Just let her surroundings be as real as she is, and save all the artifice for the reality show circuit.
Written by Cactus Moser and Wynonna
Grade: B
Wish we could actually hear the song.
I played the song last night and if I didn’t know the artist in advance, I’m not sure I would have realized that it was Wynonna. The digital effect you mentioned sure did not enhance the recording. I have Wy’s first 4 albums but haven’t played them much in recent years.
I sure love me some Wynonna, but I was so disappointed with this release. The crummy production would have been easier for me to forgive had they had the good sense to leave her voice alone.