100 Greatest Men: #56. Bobby Bare
100 Greatest Men: The Complete List
With a career that has spanned seven decades, Bobby Bare’s body of work has made him one of the genre’s most influential and critically acclaimed recording artists.
Year: 2012
Single Review: Scotty McCreery, "Water Tower Town"
Reviewing mainstream country singles can be mighty depressing these days. It often seems like we’re hearing the same song over and over again. Conversely, I often feel as if I’m writing the same review over and over again.
So how can I find a fresh angle from which to approach this new Scotty McCreery single?
100 Greatest Men: #57. Kenny Chesney
100 Greatest Men: The Complete List
After many years as a mid-level country artist, Kenny Chesney fused arena-size country with Caribbean rhythms to become one of the genre’s biggest stars of the 21st century.
100 Greatest Men: #58. Carl Smith
100 Greatest Men: The Complete List
One of the most successful country stars of the 1950’s, Carl Smith is as well known today for his famous relatives as for his legendary music.
Single Review: Kix Brooks featuring Joe Walsh, “New to This Town”
I’ve always liked Kix as a singer, so I was happy to see that this single exists. He’s got one of those modest-but-charming Everyman voices, the kind that makes every song feel like a conversation with your ol’ pal.
He also sounds positively thrilled to flex it for us again, which is just infectious. Listen to how he relishes every note of “New to This Town,” like he doesn’t want waste a moment of this reintroduction. Love that! I love that.
Single Review: Sara Evans, “Anywhere”
Nothing like a good country music driving song, right? I could make a whole road trip playlist full of them. Ostensibly, Sara Evans upcoming single “Anywhere” is seeking a spot on my road trip playlist. It’s a bit off-putting, unfortunately, that the lyric plays more like a watered-down knockoff of Jo Dee Messina’s “Heads Carolina, Tails California.”
At the very least, the single earns points for a committed vocal performance on Evans’ part, as well as a cool banjo-rocker of a production, which could have made for a pleasant little slice of pop-country. But the song structure is totally not there.