Year: 2011
100 Greatest Men: #76. Keith Urban
100 Greatest Men: The Complete List
Australia’s had its own country music scene for generations. With Keith Urban, they scored their biggest export to date.
Urban began singing and playing guitar from an early age. Though born in New Zealand, he moved to Australia as a small child. By age eight, he’d already won talent contests. As he got older, his exposure throughout the country increased. He appeared on various television programs and soon landed a recording contract.
Retro Single Review: Shania Twain, “God Bless the Child”
1996 | #48
Gospel recordings were becoming all the rage in the nineties, particularly with female artists.
Sometimes it seemed like they just wanted a big showpiece for the CMA awards. Dolly Parton and Pam Tillis had performed with enormous choirs behind them in 1991 and 1994, respectively. These were, perhaps, the only times in CMA history that the demographics on stage accurately reflected greater metropolitan Nashville.
Single Review: Terri Clark, “The One”
Terri Clark’s new release “The One” retains many of the familiar features that have made Clark’s music so enjoyable. It has a pleasant restrained production arrangement, and a nuanced, sincere vocal performance, along with an interesting lyrical scenario with some clever turns of phrase.
Album Review: Scotty McCreery, Clear as Day
Scotty McCreery
Clear as Day
In listening to American Idol winner Scotty McCreery’s debut album, it becomes all too clear that either McCreery is being carefully reared by the unabashedly commercial-minded execs of 19 Entertainment… or that he simply enjoys playing follow-the-leader. The former is most likely, but almost every track on Clear as Day sounds like an emulation of the style of one of country radio’s favorite hitmakers. We get to hear Scotty McCreery play Montgomery Gentry. We get to hear Scotty McCreery play Kenny Chesney. But there are precious few moments in which it sounds like Scotty McCreery is being Scotty McCreery.
1992 | #1
Retro Single Review: Alan Jackson, “Midnight in Montgomery”
If you’re looking for a genuinely spooky song for the Halloween season, look no further than Alan Jackson’s chilling “Midnight in Montgomery.”
From the very first strains of the downbeat acoustic guitar followed by the eerie steel intro, it’s evident that this is no typical country love song or drinking ditty. Instead, it’s set at Hank Williams’ grave at midnight whereupon the narrator, presumably Alan Jackson, sees Hank’s ghost.