The following quote caught my eye recently in an online blog: It’s a funny thing I’ve noticed lately, listening to the “classic rock” stations that are now — unbelievably — broadcasting the soundtrack of my
Lee Ann Womack Call Me Crazy Few modern-day artists make country music hurt as good as Lee Ann Womack. A master of the sorrowful song, she has assembled an almost painfully sad collection in Call
The Grammy nominations are a little less surprising when you see the first ballot. The Grammys allow potential nominees to submit what they consider their best work of the year for consideration. After a panel
I went on a long road trip this summer up the west coast of the United States. To keep me company, I threw in a few books on disc, and a bunch of random CDs.
#18: Deana Carter Single of the Year, “Strawberry Wine” 1997 Deana Carter entered the 1997 CMA Awards with a leading five nominations, and when “Strawberry Wine” won Single of the Year over the widely predicted
While there is something to be said for the perfection of an album cut, there is nothing quite like the raw emotional power of the live song: the catch in the artist’s voice, the audience
In my earlier review of the single “Chicken Fried,” I criticized co-writers Zac Brown and Wyatt Durrette for penning what struck me as an uncreative, thoughtless appeal to Southern pride. It frankly wasn’t my favorite
#19: Reba McEntire Female Vocalist of the Year victory 1984 Reba McEntire established her credentials so well that the Female Vocalist of the Year trophy would eventually be hers for four years running, but at
Choose Your Own Adventure Page 1: A little girl and her father are outside on a sunny day, and he assists her as she rides her (bike, Page 2; horse, Page 3). Page 2: He